From career breakthroughs to professional milestones, explore how Alain Delon made an impact.
Alain Delon is a French actor, producer, screenwriter, singer, and businessman, recognized as a major cultural and cinematic figure of the 20th century. Rising to prominence in the late 1950s, he became a leading European actor and an international sex symbol. Delon's style, appearance, and iconic roles cemented his enduring popularity and status as a French cultural icon.
In 1953, after a stint at the Pont-Réan Maritime Training Centre, Alain Delon continued his service at the Bormette Signals School in the French Navy.
In 1956, after his naval service, Alain Delon returned to France. He worked odd jobs and encountered various individuals in Pigalle and Montmartre.
In 1957, Alain Delon met actress Brigitte Auber and attended the Cannes Film Festival, where he became friends with Jean-Claude Brialy and came into contact with the film industry, meeting his future agent George Beaume.
On April 10, 1958, Alain Delon first met Romy Schneider at Orly airport in Paris, where they were introduced as the leads in the movie Christine. They later became romantically involved and engaged.
In 1959, Alain Delon received critical acclaim for his role in the film "Women Are Weak".
In 1959, Alain Delon was given the lead role in the comedy "Women Are Weak", which became a hit in France and marked his first film seen in America. He made personal appearances in New York to promote the movie.
In 1960, Alain Delon gained critical acclaim for his roles in "Purple Noon" and "Rocco and His Brothers".
In 1960, Alain Delon gained international recognition for his roles in René Clément's "Purple Noon" and Luchino Visconti's "Rocco and His Brothers".
In 1961, Alain Delon made his stage debut in 'Tis Pity She's a Whore alongside Romy Schneider in Paris. He also appeared in The Joy of Living and Famous Love Affairs.
In 1961, Alain Delon was considered for roles in Joshua Logan's Fanny.
In 1962, Alain Delon received critical acclaim for his role in the film "L'Eclisse".
In 1963, Alain Delon received critical acclaim for his roles in "The Leopard" and "Any Number Can Win".
In 1963, Alain Delon starred in Any Number Can Win with Jean Gabin. He negotiated a deal to take the film's distribution rights in certain countries instead of a straight salary, a move that became known as "Delon's method".
In 1963, Alain Delon starred in an all-star anthology film, The Devil and the Ten Commandments, with Danielle Darrieux.
In 1963, one of Alain Delon's most acclaimed films, The Leopard, was released.
In 1964, Alain Delon received critical acclaim for his role in the film "The Black Tulip".
In 1964, Alain Delon reunited with Clement and Jane Fonda in Les Félins and also started a production company, Delbeau Production, with Georges Beaume and produced the film The Unvanquished (L'insoumis).
In 1965, Alain Delon commented that "no one else has tried it since and made money" regarding "Delon's method".
In 1965, Alain Delon focused on Hollywood, aiming to make one picture in America and one in Europe each year, while also working on improving his accent to play more diverse continental roles.
In 1965, Alain Delon made his British film industry debut in The Yellow Rolls-Royce and his Hollywood debut in the film Once a Thief. The Yellow Rolls-Royce was popular, and Once a Thief was based on the novel by Zekial Marko who had written Any Number Can Win, but it was not as successful.
In 1965, Alain Delon was considered for roles in Tony Richardson's The Loved One.
In 1966, Alain Delon appeared in the big budget action film Lost Command and in Universal Studios' Western, Texas Across the River. He was originally slated for other roles which ultimately did not materialize.
In 1966, Alain Delon was considered for roles in Sydney Pollack's This Property Is Condemned.
From South Korea to China, numerous filmmakers have drawn inspiration from Alain Delon’s career, particularly his portrayal of Jeff Costello in Le Samouraï released in 1967.
In 1967, Alain Delon received critical acclaim for his roles in "The Last Adventure" and "Le Samouraï".
In 1967, one of Alain Delon's most acclaimed films, Le Samouraï, was released.
In 1968, Alain Delon appeared in Spirits of the Dead and The Girl on a Motorcycle. He also starred in Farewell Friend (Adieu l'ami).
In 1968, Alain Delon received critical acclaim for his role in the film "The Girl on a Motorcycle".
In 1968, Alain Delon returned to French cinema, starring in The Last Adventure and Le Samouraï. He also appeared on the Paris stage in Les Yeux Crevés and in Diabolically Yours.
In 1968, Alain Delon was considered for roles in Henri Verneuil's The Scavengers.
In 1969, Alain Delon acted in the movie Jeff.
In 1969, Alain Delon received critical acclaim for his role in the film "La Piscine".
In 1969, Alain Delon starred in Jeff, made by his production company Adel. He also collaborated with Lino Ventura and Jean Gabin in The Sicilian Clan, which became a blockbuster.
In 1969, the film Borsalino, starring Alain Delon and Jean-Paul Belmondo as gangsters in Marseille, was released, marking their only collaboration.
In 1970, Alain Delon produced and co-starred in Borsalino with Jean-Paul Belmondo. The film was very popular in Europe.
In 1970, Alain Delon received critical acclaim for his role in the film "Le Cercle Rouge".
In 1971, Alain Delon appeared opposite Simone Signoret in The Widow Couderc.
In 1971, William Friedkin's The French Connection was released, containing explicit references to Le Samouraï and the character of Jef Costello played by Delon.
In 1972, Alain Delon received critical acclaim for his role in the film "Un flic".
In 1972, Alain Delon starred in The Assassination of Trotsky and Red Sun. He also starred in his third film with Melville, Un flic. He also produced and starred in a romantic drama, Indian Summer.
In 1973, Alain Delon appeared in the thrillers, Traitement de choc and Tony Arzenta.
In 1973, Alain Delon duetted with Egyptian-French singer Dalida on the song "Paroles, paroles", which became a huge international hit.
In 1973, Alain Delon recorded a duet with Dalida, "Paroles, paroles", which became a recognizable French song and starred in Scorpio.
In 1973, Alain Delon recorded the spoken part in the popular song "Paroles, paroles", a duet with Dalida.
In 1973, Alain Delon was slated to portray the character of Duncan Idaho in Alejandro Jodorowsky's adaptation of Dune, a project that was eventually abandoned due to financial constraints.
In 1973, the tandem of Alain Delon and Jean-Paul Belmondo in Borsalino inspired Robert Redford and Paul Newman to stage The Sting.
After another gangster thriller, Icy Breasts, Alain Delon returned to his first swashbuckler since The Black Tulip.
In 1974, Alain Delon starred in The Burned Barns and Creezy. He also produced Two Men in Town which re-teamed him with Jean Gabin, and Borsalino & Co., a sequel to his earlier hit.
In 1974, Francis Ford Coppola's The Conversation was released, containing explicit references to Le Samouraï and the character of Jef Costello played by Delon.
In 1975, Alain Delon played the title character in Zorro and starred in The Gypsy and Flic Story.
In 1976, Alain Delon received critical acclaim for his role in the film "Monsieur Klein".
In 1976, Alain Delon starred in Monsieur Klein, for which he was nominated for the César Award. Also, he starred in Boomerang and Armaguedon.
In 1976, Alain Delon was considered for roles in Martin Scorsese's Taxi Driver.
In 1977, Alain Delon starred in Man in a Hurry, Death of a Corrupt Man, and Le Gang.
In 1978, Alain Delon starred in Attention, The Kids Are Watching.
In 1979, Alain Delon made a final attempt at Hollywood stardom, signing with agent Sue Mengers and starring in The Concorde ... Airport '79.
In 1979, Alain Delon stated that only a quarter of his business activities involved films. He also expressed continued interest in becoming a star in America.
In 1979, Albert Broccoli offered Alain Delon the role of James Bond, but Delon refused to succeed Sean Connery.
In 1980, Alain Delon returned to acting in French films, playing in and producing The Medic and Three Men to Kill.
In 1981, Alain Delon co-starred in the Soviet production Teheran 43 and starred in For a Cop's Hide.
In 1981, Alain Delon was considered for roles in John Huston's Escape to Victory.
In 1982, Alain Delon starred in Le Choc opposite Catherine Deneuve.
In 1983, Alain Delon collaborated with Shirley Bassey on the international hit song "Thought I'd Ring You".
In 1983, Alain Delon starred in Le Battant.
In 1984, Alain Delon performed in the movie Notre histoire.
In 1984, Alain Delon was awarded the Best Actor César Award for his role in Notre histoire and portrayed Baron de Charlus in Swann in Love.
In 1985, Alain Delon won the César Award for Best Actor for his performance in "Notre histoire (1984)".
In 1986, Alain Delon starred in Parole de flic.
In 1986, Delon's brand of sunglasses became popular in Hong Kong after Chow Yun-fat wore them in the film A Better Tomorrow and its sequels, prompting Delon to thank Chow for promoting the product.
In 1988, Alain Delon starred in Let Sleeping Cops Lie.
In 1990, Alain Delon starred in Dancing Machine and Jean-Luc Godard's Nouvelle Vague, in which he played twins.
In 1991, Alain Delon became a member of France's Legion of Honour.
In 1997, Alain Delon announced his decision to give up acting, although he still occasionally accepted roles.
In 1998, Alain Delon's last major role was in Patrice Leconte's Une chance sur deux, alongside Jean-Paul Belmondo, another box office disappointment.
In 2001, Alain Delon starred in the French television drama Fabio Montale, playing an ageing policeman. The show was a big hit.
In 2003, Alain Delon tried to recreate the success of Fabio Montale and produced and starred in another French television police drama, Frank Riva. It did well but less so than Fabio Montale.
In 2008, Alain Delon directed a TV movie, co-starring Anouk Aimée, titled Love Letters based on a play by A.R. Gurney.
In 2008, Alain Delon starred as Julius Caesar in Asterix aux jeux Olympiques. Around this time he mostly took roles in TV movies and also played some roles on the French stage.
In 2009, Christian Dior utilized images of a young Alain Delon and excerpts from his 1960s film The Swimming Pool in advertising campaigns for Eau Sauvage cologne.
In 2011, Alain Delon starred in the television movie Une journée ordinaire.
In 2012, Alain Delon starred as himself in the Russian production S Novym godom, Mamy!.
In 2014, a film project titled Patient was announced, a drama centered on the Armenian genocide, with Delon or Adrien Brody in a leading role, however, this project never materialized.
In 2015, Christian Dior utilized images of a young Alain Delon and excerpts from his 1960s film The Last Adventure in advertising campaigns for Eau Sauvage cologne.
In November 2018, the French media announced that the project La Maison Vide, in which Alain Delon was to star, had been canceled.
In April 2019, at 83, Alain Delon released a new single, "Je n'aime que toi", composed by Rick Allison and Julia Paris.
At the 2019 Cannes Film Festival, Alain Delon received the Honorary Palme d'Or.
In 2019, Alain Delon appeared as himself in the movie Toute Resemblance as a guest on a talkshow.
In July 2021, Alain Delon stated in an interview that he planned to act in one more film, marking his return to acting after suffering two strokes.
In September 2022, Alain Delon interviewed Ukrainian President Zelensky as part of a TV5Monde special about the war in Ukraine, called Face à Zelensky, expressing his support for the Ukrainian people.
In August 2024, Alain Delon's death made headlines worldwide, with foreign press calling him "the last great myth of French cinema." Series like Plus belle la vie paid tribute, referencing Fabio Montale.
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