From career breakthroughs to professional milestones, explore how Alain Delon made an impact.
Alain Delon is a French actor, film producer, screenwriter, singer, and businessman recognized as a major cultural and cinematic figure of the 20th century. He rose to prominence in the mid-1950s and became an international sex symbol and one of the most recognizable figures in French culture. His style, appearance, and roles solidified his status as an enduring international icon.
In 1957, Alain Delon attended the Cannes Film Festival, where he befriended Jean-Claude Brialy and connected with the film industry, eventually meeting his agent George Beaume.
In 1958, Alain Delon met actress Romy Schneider while co-starring in the film "Christine."
In 1959, Alain Delon achieved critical acclaim for his role in the film Women Are Weak, marking an early success in his acting career.
In 1959, Alain Delon was given the lead role in the comedy Women Are Weak, which became a big hit in France and marked his first film to be seen in America.
In 1960, Alain Delon received critical acclaim for his roles in both Purple Noon and Rocco and His Brothers, solidifying his reputation as a talented actor.
In 1960, Alain Delon secured his international reputation with roles in René Clément's Plein Soleil (Purple Noon) and Luchino Visconti's Rocco and His Brothers, receiving critical acclaim for his performances.
In 1960, the movie 'Plein Soleil' was released.
In 1960, two of Alain Delon's acclaimed films, 'Purple Noon' and 'Rocco and His Brothers', were released.
In 1961, Alain Delon made his stage debut in the John Ford play ''Tis Pity She's a Whore'' alongside Romy Schneider in Paris, directed by Visconti.
In 1961, Alain Delon was considered for a role in Joshua Logan's 'Fanny'.
In 1962, Alain Delon starred opposite Monica Vitti in Michelangelo Antonioni's L'Eclisse, which became a major critical success.
In 1962, Alain Delon was critically acclaimed for his role in the film L'Eclisse.
In 1963, Alain Delon appeared in The Devil and the Ten Commandments, an all-star anthology film, alongside Danielle Darrieux.
In 1963, Alain Delon lobbied for a role in Any Number Can Win, starring Jean Gabin. He took the film's distribution rights in certain countries instead of a straight salary, pioneering "Delon's method".
In 1963, Alain Delon received critical acclaim for his roles in The Leopard and Any Number Can Win.
In 1963, Alain Delon's acclaimed film 'The Leopard' was released.
In 1964, Alain Delon filmed Les Félins with Jane Fonda and started a production company, Delbeau Production, with Georges Beaume, producing The Unvanquished. He later left French cinema to pursue a career in Hollywood.
In 1964, Alain Delon received critical acclaim for his role in The Black Tulip.
In 1964, Alain Delon starred in the swashbuckler film The Black Tulip, which became another hit, adding to his popularity in France.
In 1965, Alain Delon claimed that no one else has tried his distribution rights method since and made money, following his success with Any Number Can Win.
In 1965, Alain Delon debuted in the British film industry with a role in the MGM anthology 'The Yellow Rolls-Royce,' co-starring with Shirley MacLaine. Although the film was popular, Delon's role was limited.
In 1965, Alain Delon focused on Hollywood, expressing his desire to make films in America and Europe each year. He also worked on reducing his French accent to play various continental nationalities.
In 1965, Alain Delon was considered for a role in Tony Richardson's 'The Loved One'.
In 1966, Alain Delon was considered for a role in Sydney Pollack's 'This Property Is Condemned'.
In 1966, Delon starred in 'Lost Command' for Columbia, playing a member of the French Foreign Legion alongside Anthony Quinn and Claudia Cardinale. The studio also announced that he would appear in the biopic 'Cervantes', but this was never made.
In 1967, Alain Delon was critically acclaimed for his performances in The Last Adventure and Le Samouraï.
In 1967, Alain Delon's acclaimed film 'Le Samouraï' was released.
In 1968, Alain Delon received critical acclaim for his role in The Girl on a Motorcycle.
In 1968, Alain Delon returned to French cinema and starred in 'Le Samouraï' with Jean-Pierre Melville, which became a film classic. Also in 1968, he appeared on the Paris stage in 'Les Yeux Crevés'.
In 1968, Alain Delon was considered for a role in Henri Verneuil's 'The Scavengers'.
In 1968, Delon had a role in the anthology film, 'Spirits of the Dead', and starred in 'The Girl on a Motorcycle' with Marianne Faithfull. Also that year, he starred in 'Farewell Friend'.
In 1969, Alain Delon was critically acclaimed for his role in La Piscine.
In 1969, Alain Delon's acclaimed film 'La Piscine' was released.
In 1969, Delon and Darc appeared in the movie 'Jeff'.
In 1969, Delon starred in Jeff made by his own production company, Adel. Also in 1969, he collaborated with Lino Ventura and Jean Gabin in 'The Sicilian Clan'.
In 1970, Alain Delon received critical acclaim for his role in Le Cercle Rouge.
In 1970, Alain Delon's acclaimed film 'Le Cercle Rouge' was released.
In 1970, Delon produced and co-starred in 'Borsalino' opposite Jean-Paul Belmondo. The film was very popular in Europe.
In 1971, Alain Delon appeared opposite Simone Signoret in 'The Widow Couderc'.
In 1971, William Friedkin's 'The French Connection' contained explicit references to 'Le Samouraï' and Alain Delon's character, Jef Costello.
In 1972, Alain Delon was critically acclaimed for his role in Un flic.
In 1972, Delon made another attempt at the English-speaking market with 'The Assassination of Trotsky.' Also in 1972, he starred in 'Red Sun' with Charles Bronson and Toshiro Mifune. He also starred in his third film with Melville, Un flic.
In 1973, 'Borsalino,' starring Alain Delon and Jean-Paul Belmondo, inspired Robert Redford and Paul Newman to stage 'The Sting'.
In 1973, Alain Delon appeared in the thrillers, 'Traitement de choc' and 'Tony Arzenta'.
In 1973, Alain Delon recorded the spoken part in the popular song "Paroles, paroles", a duet with Dalida.
In 1973, Alain Delon scored a hit duetting with Dalida on the song "Paroles, paroles".
In 1973, Alain Delon was slated to portray the character of Duncan Idaho in Alejandro Jodorowsky's cinematic adaptation of 'Dune,' which was later abandoned due to financial constraints.
In 1973, Delon recorded the song "Paroles, paroles" with Dalida. Also in 1973, he starred in 'Scorpio', and in France, he made 'The Burned Barns'.
In 1974, Alain Delon made 'Creezy', produced 'Two Men in Town', and 'Borsalino & Co.'.
In 1974, Delon starred in the gangster thriller 'Icy Breasts'.
In 1974, Francis Ford Coppola's 'The Conversation' contained explicit references to 'Le Samouraï' and Alain Delon's character, Jef Costello.
In 1975, Delon starred in 'Zorro', 'The Gypsy', and 'Flic Story'.
In 1976, Alain Delon received critical acclaim for his role in Monsieur Klein.
In 1976, Alain Delon was considered for a role in Martin Scorsese's 'Taxi Driver'.
In 1976, Alain Delon's acclaimed film 'Monsieur Klein' was released.
In 1976, Delon starred in 'Boomerang' and 'Armaguedon'. Also, in 1976 he starred in 'Monsieur Klein', for which he was nominated for the César Award.
In 1977, Delon starred in and produced 'Man in a Hurry', 'Death of a Corrupt Man', and 'Le Gang'.
In 1978, Alain Delon starred in 'Attention, The Kids Are Watching'.
In 1979, Alain Delon was offered the role of James Bond by Albert Broccoli, but he declined.
In 1979, Delon signed with agent Sue Mengers and starred in 'The Concorde ... Airport '79' in a final attempt at Hollywood stardom.
In 1979, Delon stated that films only accounted for a quarter of his business activities, and he also had interests in helicopters, furniture, prize fights, and horse racing.
In 1980, Delon returned to acting in French films, starring in and producing 'The Medic' and 'Three Men to Kill'.
In 1981, Alain Delon was considered for a role in John Huston's 'Escape to Victory'.
In 1981, Delon starred in 'Teheran 43' with Claude Jade and Curd Jürgens. He also appeared in 'For a Cop's Hide'.
In 1982, Alain Delon appeared in 'Le Choc' opposite Catherine Deneuve.
In 1983, Alain Delon collaborated with Shirley Bassey on the song "Thought I'd Ring You".
In 1983, Delon starred in 'Le Battant'.
In 1984, Delon was awarded the Best Actor César Award for his role in 'Notre histoire'. Also in 1984, he portrayed Baron de Charlus in 'Swann in Love'.
In 1986, Delon starred in 'Parole de flic'.
In 1988, Delon starred in 'Let Sleeping Cops Lie'.
In 1990, Delon starred in 'Dancing Machine'. Also in 1990, he played twins in Jean-Luc Godard's 'Nouvelle Vague'.
In 1997, Alain Delon announced his decision to give up acting.
In 1998, Alain Delon's last major role was in 'Une chance sur deux', alongside Jean-Paul Belmondo.
In 2001, Delon starred in the French television drama 'Fabio Montale', which was a big hit.
In 2003, Delon produced and starred in another French television police drama, 'Frank Riva'.
In 2008, Alain Delon directed a TV movie titled 'Love Letters', co-starring Anouk Aimée.
In 2008, Alain Delon starred as Julius Caesar in the film 'Asterix aux jeux Olympiques', co-starring Gérard Depardieu.
In 2011, Alain Delon starred in the television movie 'Une journée ordinaire'.
In 2012, Alain Delon appeared as himself in the Russian production 'S Novym godom, Mamy!'.
In November 2018, Alain Delon's planned movie 'La Maison Vide', co-starring Juliette Binoche, was canceled.
In April 2019, at 83, Alain Delon released a new single, "Je n'aime que toi".
In 2019, Alain Delon appeared as himself in the movie 'Toute Ressemblance'.
In July 2021, Alain Delon stated in an interview on TV5Monde, his first since having two strokes, that he planned to act in one more film.
In September 2022, Alain Delon interviewed Ukrainian President Zelensky on TV5Monde, expressing his support for the Ukrainian people.
The 2024 Angoulême Francophone Film Festival changed its programming to screen "Notre histoire" by Bertrand Blier following Alain Delon's death.
The 2024 Lumière Festival concluded with a screening of "Plein Soleil" and a speech by Anthony Delon, who recounted his father's career.
Based on number of admissions, Alain Delon is the 10th most popular actor in France in 2025.