Godzilla is a fictional monster (kaiju) originating from the 1954 film of the same name, directed by Ishirō Honda. He has become a global pop culture icon, featured in 33 Japanese films by Toho Co., Ltd., five American films, and various other media like video games, novels, comics, and TV series. Known as the King of the Monsters, Godzilla's impact on entertainment is undeniable.
The Godzilla x Kong sequel has a new title, Godzilla x Kong: The New Empire, and has started production. Teasers have been released, sparking theories. The film reunites the besties, Godzilla and Kong.
For the English translations for the Godzilla and Godzilla Raids Again novellas in 1954, writer Jeffrey Angles settled on male pronouns for Godzilla, stating that "Kayama [writer of the original novellas] thought about Godzilla as a stand-in for the nuclear bomb, and it was men in America who were developing the hydrogen bombs that frightened Japan so much in 1954.
Haruo Nakajima, who portrayed Godzilla from 1954 to 1972, said the materials used to make the 1954 suit (rubber, plastic, cotton, and latex) were hard to find after World War II.
In 1954, Godzilla debuted in the eponymous film directed by Ishirō Honda. The film marked the first appearance of the fictional monster.
In 1954, Godzilla first appeared in a film produced and distributed by Toho Co., Ltd. This marked the beginning of Godzilla's presence in 38 films, including both Japanese and American productions.
In 1954, the original Japanese Godzilla films used gender-neutral pronouns for Godzilla. However, in English dubbed versions, Godzilla is explicitly described as male.
In 1955, during the development of the American version of Godzilla Raids Again, Godzilla's name was changed to "Gigantis" by producer Paul Schreibman, aiming to create a distinct character.
In 1955, the American version of Godzilla Raids Again, titled Gigantis the Fire Monster (1959), mostly substituted Godzilla's roar with that of the monster Anguirus.
In 1956, Steven Spielberg cited Godzilla, King of the Monsters! as an inspiration for Jurassic Park, which he grew up watching, describing Godzilla as "the most masterful of all the dinosaur movies because it made you believe it was really happening."
In 1956, the American localization of the 1954 film, titled Godzilla, King of the Monsters!, was released. This film marked the first use of the epithet "King of the Monsters" for Godzilla.
In the 1956 American version, Godzilla is estimated to be 121.9 m (400 ft) tall, because producer Joseph E. Levine felt that 50 m did not sound "powerful enough".
In 1959, the American version of Godzilla Raids Again was released, titled Gigantis the Fire Monster, in which Godzilla's roar was mostly substituted with that of the monster Anguirus.
From 1962 to 1975, the most notable changes were the reduction in Godzilla's number of toes and the removal of the character's external ears and prominent fangs.
In 1962, Godzilla's accidental radioactive origin story predates Spider-Man's debut and he is considered "the original radioactive superhero".
In 1964, the movie Ghidorah marked a turning point in Godzilla's character, changing from a villain to a hero by pitting him against King Ghidorah, a greater threat to humanity. Since 1964, Godzilla has been viewed as an anti-hero.
In 1967, the Keukdong Entertainment Company of South Korea, with assistance from Toei Company, produced "Yongary, Monster from the Deep", a film featuring a reptilian monster who invades South Korea to consume oil. The film and character have been considered an imitation of Godzilla.
Haruo Nakajima, who portrayed Godzilla from 1954, ended his tenure in 1972. He stated that the materials used to make the 1954 suit were hard to find after World War II.
From 1962 to 1975, the most notable changes to the Godzilla suit design included the reduction in Godzilla's number of toes and the removal of the character's external ears and prominent fangs.
In 1975, Godzilla also influenced the Spielberg film Jaws.
From The Return of Godzilla in 1984 to Godzilla vs. King Ghidorah in 1991, Godzilla's roar was given a deeper and more threatening sound.
In The Return of Godzilla (1984), some scenes made use of a 16-foot high robotic Godzilla (dubbed the "Cybot Godzilla") for use in close-up shots of the creature's head. The Cybot Godzilla consisted of a hydraulically powered mechanical endoskeleton covered in urethane skin.
Kenpachiro Satsuma, who portrayed Godzilla from 1984 to 1995, described how the Godzilla suits he wore were even heavier and hotter than their predecessors because of the incorporation of animatronics.
The Godzilla designs from The Return of Godzilla (1984) onward reincorporated features such as external ears and prominent fangs that had been removed from 1962 to 1975.
The most consistent Godzilla design was maintained from Godzilla vs. Biollante in 1989 to Godzilla vs. Destoroyah in 1995, featuring a cat-like face and double rows of teeth.
Godzilla's deeper, more threatening roar that began in 1984, with The Return of Godzilla, continued until Godzilla vs. King Ghidorah in 1991.
In the film Godzilla vs. King Ghidorah in 1991, Godzilla destroyed the 243-metre-tall (797 ft) Tokyo Metropolitan Government Building.
In 1992, starting with Godzilla vs. Mothra, the deeper and more threatening-sounding roar introduced in The Return of Godzilla (1984) was reverted to the previous sound.
In 1993, Steven Spielberg cited Godzilla as an inspiration for Jurassic Park.
In 1994, the suit used in that year's Godzilla vs. SpaceGodzilla was the first to include an air duct, which allowed suit actors to last longer during performances.
Kenpachiro Satsuma portrayed Godzilla from 1984 until 1995. During his tenure, the Godzilla suits he wore were heavier and hotter than their predecessors because of the incorporation of animatronics.
The suit for Godzilla from Godzilla vs. Biollante (1989) to Godzilla vs. Destoroyah (1995) was given a cat-like face and double rows of teeth.
In 1996, Godzilla received the MTV Lifetime Achievement Award.
In 1997, a carnivorous dinosaur from the Triassic period was named Gojirasaurus.
For Godzilla (1998), the film's special effects crew built a 1⁄6 scale animatronic Godzilla for close-up scenes, whose size outmatched that of Stan Winston's "Rexy" in Jurassic Park.
In 1998, Kimi Honda, the widow of director Ishirō Honda, dismissed the widely accepted story about the origin of Godzilla's name in a BBC documentary. She believed that Honda, Tanaka, and Tsuburaya gave "considerable thought" to the name of the monster.
In Godzilla (1998), special effects artist Patrick Tatopoulos was instructed to redesign Godzilla as an incredibly fast runner and reimagined the creature as a lean, digitigrade bipedal, iguana-like creature rendered via CGI.
In the 1998 film Godzilla, the monster is referred to as a male and is depicted laying eggs through parthenogenesis.
In 1999, the main-belt asteroid 101781 Gojira, discovered by American astronomer Roy Tucker, was named in honor of the creature.
Up until the film Godzilla 2000: Millennium in 2000, the costumes used in the movies were usually painted charcoal gray with bone-white dorsal plates.
In 2004, Godzilla was given a star on the Hollywood Walk of Fame to celebrate the premiere of the character's 50th anniversary film, Godzilla: Final Wars.
In 2007, Japanese defense minister Shigeru Ishiba said that he would mobilize the Japan Self-Defense Forces in response to an appearance by Godzilla.
In April 2008, Toho filed a lawsuit against Subway for using a giant monster resembling Godzilla in a commercial for their Five Dollar Footlongs sandwich promotion without permission, demanding $150,000 in compensation.
In February 2011, Toho sued Honda for depicting a fire-breathing monster in a commercial for the Honda Odyssey. The monster was seen briefly on a video screen inside the minivan.
In May 2011, the Sea Shepherd Conservation Society renamed their vessel, the MV Gojira, to the MV Brigitte Bardot due to legal pressure from Toho. The vessel targeted Japanese whalers in defense of whales in the Southern Ocean Whale Sanctuary.
For the 2014 American film, sound editors Ethan Van der Ryn and Erik Aadahl refused to disclose the source of the sounds used for Godzilla's roar. Aadahl described the two syllables of the roar as representing two different emotional reactions.
In 2014, Godzilla appeared in a commercial for Snickers candy bars, serving as an indirect promotion for the 2014 Godzilla film.
In Godzilla (2014), the character was portrayed entirely via CGI. The special effects team strove to make the monster "more dynamic than a guy in a big rubber suit."
In the American film Godzilla (2014) from Legendary Pictures, Godzilla was scaled to be 108.2 m (355 ft) and weighing 90,000 short tons (81,650 metric tons), making it the largest film version at that time.
In April 2015, the Shinjuku ward of Tokyo named Godzilla a special resident and official tourism ambassador to encourage tourism. During an unveiling of a giant Godzilla bust at Toho headquarters, Shinjuku mayor Kenichi Yoshizumi stated, "Godzilla is a character that is the pride of Japan."
In May 2015, Toho launched a lawsuit against Voltage Pictures over a planned picture starring Anne Hathaway. Promotional material released at the Cannes Film Festival used images of Godzilla.
For Shin Godzilla (2016), Godzilla was made even taller than the Legendary version, at 118.5 m (389 ft).
In Godzilla: Planet of the Monsters in 2017, Godzilla's height was increased further still to 300 m (984 ft).
On July 11, 2018, the official naming citation for the asteroid Gojira was published by the Minor Planet Center.
In Godzilla: King of the Monsters (2019) and Godzilla vs. Kong (2021), Godzilla's height was increased to 119.8 m (393 ft) from the 2014 incarnation.
In Godzilla vs. Kong (2021), Godzilla's height was increased to 119.8 m (393 ft) from the 2014 incarnation.
In 2024, Godzilla Minus One was nominated for the Academy Award for Best Visual Effects, marking the first Godzilla film to receive an Oscar nomination. At the 96th Academy Awards ceremony in 2024, it won the award.
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