Wild Honey, the Beach Boys' thirteenth studio album released in December 1967, marked a shift towards soul music, drawing inspiration from Motown and Stax Records' R&B sound. Despite this stylistic departure, it became their lowest-selling album up to that point in the US, peaking at number 24. The lead single, "Wild Honey," reached number 31, while "Darlin'" fared slightly better at number 19. The album found more success in the UK, reaching number seven.
In 1965, Mike Love returned as Brian Wilson's main songwriting collaborator for the first time since Summer Days (And Summer Nights!!).
In 1965, the band recorded a cover version of Clint Ballard Jr.'s "The Game of Love".
The recording sessions for Wild Honey lasted only several weeks, compared to the several months required for their 1966 hit "Good Vibrations".
In July 1967, Stevie Wonder's version of "I Was Made to Love Her" reached number 2.
In July 1967, an internal memo circulated within Capitol Records outlining plans to follow up the Smiley Smile album with a 10-track version of the original Smile album; however, this never came to fruition.
On October 13, 1967, Capitol Records announced the upcoming release of the Beach Boys' album Wild Honey, providing the track listing, even though some songs were not yet recorded.
On October 23, 1967, the lead single "Wild Honey" was released with "Wind Chimes" as the B-side. The single reached number 31 in the US and number 20 in the UK.
On December 18, 1967, The Beach Boys released "Wild Honey", their thirteenth studio album, through Capitol Records. This marked the band's initial exploration into soul music, drawing heavily from the R&B styles of Motown and Stax Records. Despite this shift, the album was their lowest-selling to date in the US, reaching number 24, while the lead single, also named "Wild Honey," peaked at number 31. In the UK, the album fared better, reaching number seven.
In 1967, The Beach Boys recorded cover versions of The Letter by The Box Tops, and With a Little Help from My Friends by The Beatles.
In a 1976 retrospective guide to 1967 for The Village Voice, Christgau felt Wild Honey is "so slight" but "perfect and full of pleasure".
In 1968, Wild Honey was characterized as a precursor to albums such as the Kinks' Village Green Preservation Society and the Byrds' The Notorious Byrd Brothers.
In 1968, the vocal riff from "A Thing or Two" was reprised in the group's single "Do It Again".
In a 1968 Crawdaddy! article, David Anderle reported that the Doors' Jim Morrison considered Brian Wilson "his favorite musician" and Wild Honey "one of his favorite albums. [...] he really got into it."
In 1969, the track "Mama Says," originating from the Smile song "Vegetables," was used to close the Beach Boys' album 20/20.
In his 1969 book Outlaw Blues, Paul Williams summarized that Wild Honey was "a work of joy [...] new and fresh and raw and beautiful".
In 1970, the track "Mama Says" was used to close the Beach Boys' album Sunflower.
In 1971, the track "Mama Says" was used to close the Beach Boys' album Surf's Up.
In his 1971 review of Surf's Up, Rolling Stone's Arthur Schmidt referred to Wild Honey as "a masterpiece", "the most underrated" of the band's "post-surfer LPs", and "the last time they truly rocked their asses off, one cut after another."
In 1974, Wild Honey was reissued by Warner Bros, leading to reevaluation by fans and critics.
In a 1976 retrospective guide to 1967 for The Village Voice, Christgau felt Wild Honey is "so slight" but "perfect and full of pleasure".
In 1979, the Beach Boys created a near eleven-minute disco cover of "Here Comes the Night" for their twenty-third studio album, L.A. (Light Album).
In 1979, the Beach Boys reworked the track "Here Comes the Night" into a disco single.
In 1990, "Can't Wait Too Long" was released on the two-fer reissue.
In 1999, the Beta Band's song "Round the Bend" hailed Wild Honey for its "funny little love songs", although considered it "probably not as good as something like Pet Sounds".
In 2001, "Can't Wait Too Long" was released on the two-fer reissue.
In 2011, a solo recording of Brian Wilson performing the Smile song "Surf's Up" was released on the compilation The Smile Sessions.
In 2012, Rolling Stone ranked Wild Honey second on its list of the "Coolest Summer Albums of All Time", praising the album's "hedonistic rock & roll spirit", "humor", and "pensive depth".
In a 2012 interview, Brian Wilson commented on the origin of the album title Wild Honey.
In 2017, a complete stereo mix of Wild Honey was released for the first time on the rarities compilation 1967 – Sunshine Tomorrow. The set also includes numerous session highlights, alternate takes, and live renditions of Wild Honey tracks in addition to other unreleased material recorded during the Smiley Smile and Lei'd in Hawaii era.
In 2017, a remixed and expanded edition of Wild Honey, titled 1967 – Sunshine Tomorrow, was released.
In 2020, Rolling Stone ranked Wild Honey at number 410 on its list of "The 500 Greatest Albums of All Time".
In 2020, Wild Honey was ranked number 410 on Rolling Stone's list of the “500 Greatest Albums of All Time”.
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