Ahmad Jamal was a highly influential American jazz pianist, composer, bandleader, and educator who left an indelible mark on the world of jazz music. Spanning six decades, his career was marked by his success as a small-group leader, showcasing his innovative approach to jazz performance. Jamal's contributions to music history were recognized with prestigious accolades, including being named a National Endowment for the Arts (NEA) Jazz Master and receiving a Lifetime Achievement Grammy. His impact on jazz continues to inspire musicians and captivate audiences worldwide.
On July 2, 1930, Ahmad Jamal, originally named Frederick Russell Jones, was born. This marks the birthdate of the influential jazz pianist and composer.
After 1945, Jamal was second in importance in the development of jazz after Charlie Parker.
In 1948, Ahmad Jamal graduated from George Westinghouse High School and began his touring career with George Hudson's Orchestra.
In 1950, Ahmad Jamal converted to Islam and changed his name. He said that the decision stemmed from a desire to "re-establish my original name."
In 1950, Eddie Calhoun joined The Three Strings as a bassist.
In 1951, Ahmad Jamal made his first recordings for the Okeh label with The Three Strings, later known as the Ahmad Jamal Trio.
In 1953, Ahmad Jamal recorded for Parrot Records using the piano-guitar-bass lineup.
In 1954, Richard Davis and then Israel Crosby were bassist for The Three Strings.
In 1955, Ahmad Jamal recorded for Epic Records, continuing with the piano-guitar-bass lineup.
In 1958, Ahmad Jamal released the Live at the Pershing Album, where he was severely criticized afterwards for not playing any of his own compositions.
In 1959, Ahmad Jamal toured North Africa to explore investment options and connect with his ancestral homeland following his conversion to Islam.
In 1962, The Three Strings disbanded, and Ahmad Jamal recorded Macanudo with a full orchestra before taking a brief hiatus from performing.
In 1964, Ahmad Jamal resumed performing after moving to New York and began a residency at the Village Gate nightclub.
In 1965, Ahmad Jamal recorded a new album, Extensions, with bassist Jamil S. Nasser. He also rejoined forces with Fournier from 1965-1966.
In 1966, Ahmad Jamal joined forces with drummer Frank Gant, a collaboration that lasted until 1977.
In 1970, Ahmad Jamal released The Awakening, which was the final album on which he played acoustic piano in the regular sequence.
In 1972, Ahmad Jamal's collaboration with bassist Jamil S. Nasser came to an end.
In 1973, Ahmad Jamal's instrumental recording of "Suicide is Painless", theme song from the 1970 film MASH, was released on a reissue of the film's soundtrack album.
From 1979 through the 1990s, Ahmad Jamal began his long-standing gig as the band for the New Year's Eve celebrations at Blues Alley in Washington, D.C.
In July 1982, Ahmad Jamal recorded live in San Francisco.
In 1985, Ahmad Jamal agreed to an interview and recording session with Marian McPartland on her NPR show Piano Jazz.
In 1986, Ahmad Jamal sued critic Leonard Feather for using his former name in a publication.
In 1991, Miles Davis died. Davis and Jamal became friends in the 1950s, and Davis continued to support Jamal as a fellow musician, often playing versions of Jamal's own songs until he died.
In 2001, Ahmad Jamal emphasized the importance of his Pittsburgh roots, stating "Pittsburgh meant everything to me and it still does."
In 2010, Ahmad Jamal's development was described as "more aggressive and improvisational these days. The word I used to use is avant garde; that might not be right. Whatever you call it, the way he plays is the essence of what jazz is."
In 2013, Ahmad Jamal released the album Saturday Morning.
In 2014, Ahmad Jamal released the CD/DVD Ahmad Jamal Featuring Yusef Lateef Live at L'Olympia.
In 2017, Ahmad Jamal released the album Marseille.
In 2019, Ahmad Jamal released the album Ballades, featuring mostly solo piano.
On April 16, 2023, Ahmad Jamal passed away. He was a highly regarded American jazz pianist, composer, bandleader, and educator, leaving behind a significant legacy in the world of jazz music.