From career breakthroughs to professional milestones, explore how Neri Oxman made an impact.
Neri Oxman is an Israeli-American designer and former professor recognized for her innovative approach that merges design, biology, computing, and materials engineering. Central to her work is the concept of "material ecology," reflecting a synthesis of natural and technological elements in design. Her work explores how digital fabrication technologies can be combined with biological processes to create environmentally responsive designs.
In 2004, Neri Oxman completed her architectural studies at the Architectural Association School of Architecture in London.
In 2005, Neri Oxman began her Ph.D. studies in architectural design at the Massachusetts Institute of Technology (MIT), advised by William J. Mitchell.
In 2006, Neri Oxman began an interdisciplinary research project at MIT called material ecology, to experiment with generative design.
In 2006, while a graduate student at MIT, Neri Oxman developed her philosophy of material ecology, combining 3D printing with biology, engineering, materials science, and computer science.
In 2007, Neri Oxman created Monocoque, a demonstration of how a printed structure could support its weight via its exterior skin rather than interior supports.
In 2010, Neri Oxman became a professor at MIT and was given her own lab, the Mediated Matter group at the MIT Media Lab.
In 2010, Neri Oxman graduated from the doctoral program at MIT, focusing on material-aware design.
In 2012, Neri Oxman printed a set of body-sized wearables, Imaginary Beings, inspired by legendary creatures. She also collaborated with van Herpen and materials scientist W. Craig Carter on Anthozoa, a cape and skirt evocative of marine life.
Designed in 2013, the Silk Pavilion installation gained recognition for its unique fabrication method, involving 6,500 free-ranging silkworms weaving on a nylon-frame dome. The dome was designed with gaps where it would be warmest. Silkworms were released onto the frame in waves, where they added layers of silk before being removed.
Since 2013, most of Neri Oxman's projects have included temporary or interactive installations, focusing on production processes and material properties.
In 2014, Neri Oxman and her team developed G3DP, the first 3D printer capable of producing optically transparent glass, emulating traditional glass working processes.
In 2014, Neri Oxman collaborated with Carter on Gemini, a chaise longue designed for structural and acoustical properties, aiming to create a calming environment.
In 2014, Neri Oxman's group developed Aguahoja, a water-based fabrication platform using chitosan to build structures, demonstrated in installations featuring tall sculptures resembling cicada wings.
In 2015, Neri Oxman built the Synthetic Apiary, a room-sized installation to study bee behavior in an indoor environment, exploring hive construction around different structures.
In 2015, Neri Oxman designed the Wanderers collection, inspired by interplanetary exploration, including the Living Mushtari chestpiece.
In 2015, Neri Oxman gave a popular TED talk on material ecology, showcasing her approach to form generation and environmental design.
In 2016, Neri Oxman helped launch the open Journal of Design Science, an "antidisciplinary" journal.
In 2016, Neri Oxman produced Rottlace, a 3D-printed mask for Björk, and developed Lazarus, a project designed to capture the wearer's last breath and began work on Vespers, a collection of 15 death masks.
In 2016, Neri Oxman served as a culture leader at the World Economic Forum and received MIT's Collier Medal.
In 2016, Neri Oxman worked with Björk to create a mask and collaborated with Iris van Herpen to 3D-print a collection of wearable couture.
In 2016, Neri Oxman's group developed the Digital Construction Platform (DCP), a large-scale robotic printing system capable of printing polyurethane foam molds.
From 2017 to 2020, a new Silk Pavilion was developed, Silk Pavilion II, exploring new potential models for gathering silk from silkworms without needing to boil cocoons and end the silkworm's lifecycle.
In 2017, Neri Oxman was granted tenure at MIT.
In 2017, a 10-foot glass and light sculpture, YET, printed by the G3DP platform, was installed at the Milan Design Week.
Starting in 2018, the Mediated Matter lab developed the Totems project, exploring melanin extraction for 3D-printed structures and facades that respond to sunlight.
In 2019, Neri Oxman's work was featured in the second season of the Netflix docu-series Abstract: The Art of Design.
From 2017 to 2020, a new Silk Pavilion was developed, Silk Pavilion II, exploring new potential models for gathering silk from silkworms without needing to boil cocoons and end the silkworm's lifecycle.
In 2020, Neri Oxman created the final version of Silk Pavilion II, weaving a new pavilion in Padua, Italy, in collaboration with a silkworm-rearing facility.
In 2020, the Museum of Modern Art (MoMA) displayed the first exhibition of Neri Oxman's work as its own collection.
In 2020, the lab produced a new Aguahoja installation, Aguahoja III, identical to the first but stored in a climate-controlled gallery, serving as a long-term control.
Starting in 2020, Neri Oxman's studio, Oxman Architects, has explored similar themes in their projects.
In 2021, Neri Oxman's Mediated Matter lab stopped active work.
In 2021, Neri Oxman's team revisited the Synthetic Apiary, constructing a new environment for bees with embedded pheromones. They also designed an experiment testing bee responses to low-gravity environments.
In 2022, Neri Oxman's Oxman Architects held the Nature × Humanity exhibition of their work at SFMOMA, accompanied by a documentary of the same name.
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