Ula Stöckl is a German feminist filmmaker known for her work as a director and screenwriter. She also occasionally takes on acting roles. As a feminist filmmaker, her work likely explores themes related to gender, equality, and the female experience. Her contributions to cinema mark her as a noteworthy figure in German film history, particularly within feminist film circles.
In December 1944, Ula Stöckl's home and surrounding area in Ulm were destroyed during the wartime bombing. Three siblings died as collateral damage, but both of her parents survived.
In 1946, Ula Stöckl experienced the flu epidemic and starvation winter.
In 1948, another sister was born to Ula Stöckl's parents, marking a new beginning for the family.
In 1954, Ula Stöckl quit school and trained for secretarial work.
In February 1958, Ula Stöckl embarked on languages courses in Paris and London.
From 1961 to 1963, Ula Stöckl worked as a trilingual executive secretary.
In August 1963, Ula Stöckl worked as an editorial assistant with the publishers DM-Verlag at Sandweier.
In 1963, Ula Stöckl enrolled as a student at the Institut für Filmgestaltung, a department of the School of Design in Ulm, becoming the first female student admitted to the course.
In 1964, Ula Stöckl produced her first film, "Antigone", as part of her course, using a silent 35-mm Arri camera.
In 1968, Ula Stöckl completed her course at the Institut für Filmgestaltung.
In 1968, Ula Stöckl established her own production company, Ula Stöckl Filmproduktion.
In 1968, Ula Stöckl's graduation feature film, "Neun Leben hat die Katze" ("The cat has nine lives"), acquired a cult status, seen by some as "West Germany’s first feminist film".
In 1971, sections of the film "die Geschichten vom Kübelkind", co-produced by Ula Stöckl and Edgar Reitz, began to be shown on television.
In 1974, Ula Stöckl co-produced with Werner Fassbinder Strindberg's stage drama "Fräulein Julie" at the Theater am Turm in Frankfurt, though the experience was not entirely happy.
From 1978, Ula Stöckl was closely engaged with the International Women's Film Festival in Créteil (Paris) for fifteen years following its foundation.
Since 1982, Ula Stöckl has worked for the "Berlinale" film festival, also finding a niche as a moderator and presenter.
In 1984, Ula Stöckl returned to cinema with one of her most acclaimed productions, "Der Schlaf der Vernunft" ("Sleep of Reason").
In 1992, Ula Stöckl's "Das alte Lied" ("The old song"), one of the first so-called "Spielfilme" (narrative films), appeared, dealing with themes arising out of reunification.
Between 2002 and 2004, Ula Stöckl was employed as a programme adviser in the selection committee for the Venice International Film Festival.
Between 2002 and 2004, Ula Stöckl was employed as a programme adviser in the selection committee for the Venice International Film Festival.
Since 2004, Ula Stöckl has held a professorship at the University of Central Florida, focusing on film direction and production, and the place of women in film.
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