Lafcadio Hearn, also known as Koizumi Yakumo, was a writer and teacher of Greek and Irish descent, best known for introducing Japanese culture and literature to the West. He is particularly noted for his collections of Japanese legends and ghost stories, most famously Kwaidan. Prior to his time in Japan, where he became a citizen, Hearn worked as a journalist in the United States, particularly in Cincinnati and New Orleans, documenting life in New Orleans during his ten years residing there. A home associated with him in Orleans Parish is historically recognized.
In 1900, with the introduction of Japanese aesthetics, particularly at the Paris Exposition Universelle, Japanese styles became fashionable in Western countries. Hearn became known to the world by his writings concerning Japan.
In 1903, Lafcadio Hearn's position teaching English literature at Tokyo Imperial University ended.
In September 1904, Lafcadio Hearn, also known as Yakumo Koizumi, passed away. He was a writer, translator, and teacher known for introducing Japanese culture to the Western world.
In 1904, Lafcadio Hearn became a lecturer at Waseda University.
In 1924, selections of Lafcadio Hearn's New Orleans writings were collected and published in 'Creole Sketches'.
In 1926, Julius Daniels recorded a song with similar stanzas to those Hearn had printed in the Commercial after overhearing roustabouts on Cincinnati's levee waterfront.
In 1939, Tommy McClennan recorded his version of "Bottle Up and Go" with stanzas similar to those Lafcadio Hearn had printed in the Commercial after overhearing roustabouts on Cincinnati's levee waterfront.
In 1964, Japanese director Masaki Kobayashi adapted four Hearn tales into his film, 'Kwaidan'.
In 1983, the Cincinnati Public Library reprinted a facsimile of all nine issues of 'Ye Giglampz', an 8-page weekly journal of art, literature and satire that Lafcadio Hearn and Henry Farny wrote, illustrated, and published in 1874.
In 1984, the Japanese TV series 'Nihon no omokage' (Remnants of Japan), depicting Hearn's departure from the United States and later life in Japan, was broadcast.
In 1989, Lefkada and Shinjuku became sister cities, connecting the two ends of Hearn's life journey.
In 1994, New Orleans and Matsue, two other cities where Hearn lived, became sister cities.
In 1999, Ping Chong adapted Hearn's tales into his puppet theatre, including 'Kwaidan'.
In 2002, Ping Chong adapted Hearn's tales into his puppet theatre, including 'OBON: Tales of Moonlight and Rain'.
In 2007, another small museum dedicated to Hearn opened in Yaizu, Shizuoka, Japan.
In 2008, The Library of America selected Lafcadio Hearn's murder account, "Gibbeted," for inclusion in its two-century retrospective of American True Crime.
In 2011, Motoko Fujita, a photographer, published "The Shadow of James Joyce".
In 2012, Professor Bon Koizumi (Hearn's great-grandson) and his wife Shoko were introduced to Dublin-based Motoko Fujita.
In autumn 2013, Fujita coordinated a trip for Bon and Shoko Koizumi to Ireland, during which relationships to more Lafcadio supporters in Ireland were forged.
On 4 July 2014, the first museum in Europe dedicated to Hearn, the Lafcadio Hearn Historical Center, was inaugurated in Lefkada, Greece.
On 15 October 2015, the exhibition 'Coming Home: The Open Mind of Patrick Lafcadio Hearn' opened at the Little Museum of Dublin, marking the first time Hearn was honored in the city.
In 2015, Sean Michael Wilson and Michiru Morikawa created a manga book version of Hearn’s Japanese stories titled 'The Faceless Ghost'.
On 3 January 2016, the exhibition 'Coming Home: The Open Mind of Patrick Lafcadio Hearn' closed at the Little Museum of Dublin.
In 2018, Pádraig Mac Cearáin published 'Sayonara', a collection of Japanese folk tales translated from English to Irish.
In 2020, Sean Michael Wilson and Ai Takita created a manga book version of Hearn’s Japanese stories titled 'Manga Yokai Stories'.
In 2022, Durham University held a conference titled 'Lafcadio Hearn and the Global Imagination at the Fin de Siècle' at the cultural centre named after Hearn.
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