Mary Jane "Mae" West, an American actress, singer, comedian, screenwriter, and playwright, enjoyed a career spanning over seven decades. Known as a sex symbol with a husky contralto voice, she was famous for her sexual independence and playful use of double entendres. Starting in vaudeville and on the New York City stage, she later transitioned to a film career in Los Angeles.
Boxer William "Gorilla" Jones, one of Mae West's boyfriends, was born in 1906.
Mae West began performing professionally in vaudeville at the age of 14 in 1907 with the Hal Clarendon Stock Company. She had previously used the stage name "Baby Mae" and experimented with different personas.
Mae West met Frank Szatkus in 1909.
Mae West married Frank Szatkus (stage name Frank Wallace) on April 11, 1911, at the age of 17. The marriage was kept secret and they never lived together as husband and wife.
At the age of 18, Mae West made her Broadway debut in 1911 in a revue called "A La Broadway". She was singled out for praise by a New York Times reviewer.
Mae West made her Broadway debut in 1911 at the age of 18.
In 1912, Mae West appeared in the opening performance of "A Winsome Widow" as a "baby vamp" character named La Petite Daffy.
Mae West met Guido Deiro in August 1913. They had an affair, and possibly married in 1914.
Mae West may have married Guido Deiro in 1914, as alleged by Deiro's son.
Mae West began a relationship with James Timony, her manager, in 1916.
In 1918, Mae West got her break in the Shubert Brothers revue "Sometime", performing opposite Ed Wynn. Her character Mayme danced the shimmy, and her photograph appeared on the sheet music for the song "Ev'rybody Shimmies Now".
Chester Rybinski, later known as Paul Novak, Mae West's long-time partner, was born in 1923.
Mae West wrote, produced, and directed her first starring role on Broadway in a play called "Sex" in 1926. Though it received negative reviews from critics, the play garnered considerable attention and strong ticket sales.
On April 19, 1927, Mae West was sentenced to 10 days in jail for "corrupting the morals of youth" due to her play "Sex", which she wrote, produced, and directed. She chose jail time over a fine for the publicity.
Mae West was involved in a trial related to her play "Sex" in 1927.
In 1928, Mae West premiered "Diamond Lil," which would become one of her signature plays.
In 1928, Mae West wrote and starred in the play "Pleasure Man".
Mae West's play "Diamond Lil", about a risqué woman in the 1890s, became a Broadway hit in 1928, solidifying her public image. She revived the popular play many times throughout her career.
Mae West moved to Hollywood and into The Ravenswood apartment building in 1930. The same year, her mother died.
Mae West's play "The Constant Sinner" opened on Broadway at the Royale Theatre on September 14, 1931. It received harsh criticism from reviewers, including a scathing review by J. Brooks Atkinson in The New York Times.
After an eight-week run, "The Constant Sinner" closed on Broadway in 1931. Following the play's closure, Mae West decided to move to Hollywood and work with Paramount Pictures.
In June 1932, Mae West moved to Hollywood after signing a contract with Paramount. At almost 40, she made her film debut in "Night After Night," rewriting some of her dialogue, including the iconic line, "Goodness had nothing to do with it, dearie."
Mae West starred alongside George Raft in the film Night After Night in 1932.
By 1933, Mae West became one of the top box-office draws in the United States. Her popularity and influence were rapidly growing.
In 1933, Mae West starred in "She Done Him Wrong," adapting her stage character Diamond Lil for the screen. The film was a massive success, boosting Cary Grant's career and saving Paramount from bankruptcy.
Mae West began releasing singles in 1933.
Mae West worked with costume designer Edith Head on the film She Done Him Wrong in 1933.
Mae West's 1933 film "I'm No Angel" was another box office hit, solidifying her status as a cultural phenomenon. Her influence was evident in various forms of media, from Cole Porter's songs to Frida Kahlo's paintings.
On July 1, 1934, stricter enforcement of the Production Code began impacting Mae West's films. Her next film, "Belle of the Nineties," had its title changed due to censorship. Despite this, West continued to push boundaries, including working with Duke Ellington's orchestra.
Mae West's marriage certificate was discovered and revealed to the press in 1935.
In 1935, Mae West became one of the highest-paid people in the U.S. However, increasing censorship affected her work, as seen in the mixed reviews for "Goin' to Town."
In 1936, "Klondike Annie" faced criticism for its themes of religion and hypocrisy, drawing the ire of William Randolph Hearst. Hearst's negative campaign against the film and West put pressure on Paramount.
In 1936, Mae West adapted and starred in "Go West, Young Man," but censorship significantly weakened the film. This marked another instance where her creative expression was limited by the Production Code.
In July 1937, Mae West publicly admitted to her marriage with Frank Wallace.
On December 12, 1937, Mae West appeared on Edgar Bergen's radio show, "The Chase and Sanborn Hour." Her suggestive interactions with Bergen's dummy, Charlie McCarthy, led to controversy and nearly resulted in her being banned from radio.
In 1937, Mae West's time at Paramount ended with the underperforming "Every Day's a Holiday." She was labeled "Box Office Poison," alongside other prominent stars, due to concerns about high salaries and declining ticket sales. Despite this, she was considered for the role of Belle Watling in "Gone with the Wind."
In 1939, Universal paired Mae West with W.C. Fields for "My Little Chickadee."
In 1940, despite production difficulties and mutual dislike between the stars, "My Little Chickadee" was a box office success. However, West's suggestive humor continued to draw criticism from religious groups.
Mae West's divorce proceedings from Frank Wallace began on July 21, 1942.
Mae West's divorce from Frank Wallace was finalized on May 7, 1943.
Following "The Heat's On" in 1943, Mae West returned to a busy career on stage and in clubs.
In 1943, Mae West starred in "The Heat's On," a Columbia Pictures film. She initially hesitated to take the role but agreed as a favor to actor and director Gregory Ratoff. Censors heavily restricted the film's sexual content, impacting West's character and dialogue, and ultimately, the film's success.
In 1944, Mae West starred in and wrote "Catherine Was Great" on Broadway, a parody of Catherine the Great of Russia. Produced by Mike Todd, the play ran for 191 performances and toured extensively.
Mae West revived her play "Diamond Lil" on Broadway in 1949, solidifying her status as a prominent figure in American entertainment. The New York Times even described her as an "American Institution."
In January 1950, Mae West returned to radio after a 12-year ban following her controversial appearance on "The Chase and Sanborn Hour." She appeared on "The Chesterfield Supper Club," hosted by Perry Como, marking her return to the medium.
Guido Deiro died in 1950.
In 1950, Mae West declined the role of Norma Desmond in Billy Wilder's film "Sunset Boulevard," citing the film's pathos and her preference for comedic roles. The role eventually went to Gloria Swanson.
James Timony, Mae West's long-time friend and former manager, died in 1954.
Mae West released her first album, "The Fabulous Mae West," in 1955.
Mae West turned down the role of Vera Simpson in the 1957 film adaptation of "Pal Joey," with the part going to Rita Hayworth.
On March 26, 1958, Mae West performed "Baby, It's Cold Outside" with Rock Hudson at the Academy Awards, receiving a standing ovation.
Mae West published her best-selling autobiography, "Goodness Had Nothing to Do With It," in 1959. She also made television appearances on shows like "The Dean Martin Variety Show" and was interviewed by Charles Collingwood on "Person to Person" to promote the book. The interview did not air due to a nude marble statue in her home.
Mae West wrote the original script for Sextette in 1959.
Mae West's autobiography, "Goodness Had Nothing to Do With It", was published in 1959. It was ghostwritten by Stephen Longstreet.
Mae West appeared on "The Red Skelton Show" in 1960.
In 1964, Mae West declined a leading role in "Roustabout" starring Elvis Presley, a role which was eventually filled by Barbara Stanwyck. She also declined roles in Fellini's "Juliet of the Spirits" and "Satyricon."
Mae West made a guest appearance on the sitcom "Mister Ed" in 1964.
In 1965, Mae West recorded two songs, "Am I Too Young" and "He's Good for Me."
Mae West released the album "Wild Christmas" in 1966, later reissued as "Mae in December" in 1980. She also released her first rock and roll album "Way Out West" in 1966, demonstrating her engagement with contemporary music trends.
Frank Szatkus, Mae West's first husband, died in 1966.
Mae West's likeness appeared on the cover of the Beatles' album "Sgt. Pepper's Lonely Hearts Club Band" in 1967, after initially declining.
In 1970, Mae West returned to film after a 27-year absence, playing Leticia Van Allen in Gore Vidal's "Myra Breckinridge." The film, intended as a campy comedy, faced production issues and was not well-received.
In 1971, UCLA students voted Mae West "Woman of the Century," recognizing her pioneering advocacy for sexual frankness and fight against censorship.
Mae West released her second rock and roll album "Great Balls of Fire" in 1972, featuring covers of songs by The Doors and original songs written for her by Ian Whitcomb.
Mae West's last single was released in 1973.
In 1975, Mae West released the books "Sex, Health, and ESP" and "Pleasure Man," based on her 1928 play. She also updated and republished her autobiography, "Goodness Had Nothing to Do With It."
Mae West published the book "Mae West: Sex, Health, and ESP" in 1975.
In 1976, Mae West was interviewed by Dick Cavett and performed two songs on his "Back Lot U.S.A." special on CBS.
In 1976, Mae West appeared on Back Lot U.S.A., where she was interviewed and sang. She also began working on her final film, Sextette, which faced production challenges due to script revisions and West's age.
Mae West's final film, Sextette, was released in 1978. Despite a star-studded cast, it was not a critical or commercial success.
In August 1980, Mae West suffered a stroke after a fall.
Mae West passed away on November 22, 1980.
Mae West died in 1980.
Mae West's "Wild Christmas" album was re-released as "Mae in December" in 1980.
William Jones, also known as Gorilla Jones, one of Mae West's boyfriends, died in 1982.
In 1999, the American Film Institute posthumously ranked Mae West as the 15th greatest female screen legend of classic American cinema.
Paul Novak, Mae West's partner, died in 1999.
Guido Roberto Deiro published the book "Mae West and The Count" in 2019.