"Pacita Barsana Abad, an Ivatan and Filipino-American artist, had a remarkable painting career spanning over three decades. Her journey began with travels to the United States and Spain for graduate studies, leading to exhibitions in over 200 venues worldwide, including 75 solo shows. Abad's art, recognized for its vibrant colors and global influences, has earned a place in prestigious public, corporate, and private collections across more than 70 countries."
Pacita Barsana Abad was born on October 5, 1946.
In 1949, Pacita Abad's father, Jorge Abad, began his service in the Congress of the Philippines, representing the district of Batanes.
Aurora Abad, Pacita's mother, began her term in the Congress of the Philippines in 1966, serving in the same position as her husband.
Pacita Abad graduated with a bachelor of arts in political science from the University of the Philippines Diliman in 1968.
In 1969, Aurora Abad's term in the Congress of the Philippines came to an end.
In 1969, Pacita Abad started graduate law studies at the University of the Philippines Diliman. During this time, she became involved in organizing student demonstrations against the brutal tactics used in the 1969 general election.
After facing political persecution in the Philippines, Pacita Abad was encouraged to leave the country. While on her way to Europe to continue her law studies in 1970, she decided to stay in the United States after visiting an aunt in San Francisco.
In 1971, shortly after moving to San Francisco, Pacita Abad met and married artist George Kleinmen. The marriage was short-lived, and they separated soon after.
Jorge Abad's time representing Batanes in the Congress of the Philippines ended in 1972.
Pacita Abad completed her master's degree in Asian history from Lone Mountain College in 1973. She was offered a scholarship to Boalt Law School but deferred it to travel across Asia with Jack Garrity. Upon returning, she decided to pursue painting instead of law.
Pacita Abad met Jack Garrity, a graduate student at Stanford, at a World Affairs Conference in Monterey, California in 1973. They decided to embark on a year-long journey through Asia together.
In 1978, Pacita Abad started traveling with Jack Garrity as his work took them to various countries, including Bangladesh, Sudan, and Thailand. During these travels, she immersed herself in local art practices and witnessed the plight of refugees, experiences that would later influence her artwork.
Towards the end of 1979, Pacita Abad started creating paintings based on the sketches and photographs she had taken during her time in refugee camps on the Thai-Cambodian border.
In April 1980, Pacita Abad exhibited a series of 24 paintings titled "Portraits of Kampuchea," also known as the "Cambodian Refugee series," at the Bhirasri Institute of Modern Art in Bangkok. This series was inspired by her time in refugee camps on the Thai-Cambodian border.
By 1980, Pacita Abad concluded her travels through Bangladesh, Sudan, and Thailand, where she immersed herself in the region's art and encountered refugee camps.
In 1980, Pacita Abad and Jack Garrity moved to Boston for Garrity's graduate program at Boston University.
Pacita Abad began her "Masks and Spirits" series in 1981, marked by her first trapunto painting.
In 1982, Pacita Abad and Jack Garrity left Boston after Garrity completed his two-year graduate program at Boston University.
In 1982, Pacita Abad and Jack Garrity relocated to Manila for Garrity's work at the Asian Development Bank.
In 1984, Pacita Abad had a major solo exhibition titled "Pacita Abad: A Philippine Painter Looks at the World," curated by Arturo Luz, at the Museum of Philippine Art.
In 1984, Pacita Abad received the Ten Outstanding Young Men (TOYM) Award for Art in the Philippines, becoming the first woman to receive this prestigious award.
Pacita Abad held another major solo exhibition in 1985, titled "Pacita Abad: Paintings of People and Landscapes of Batanes," curated by Ray Albano, at the Cultural Center of the Philippines.
Pacita Abad's expressionist oil painting "Sapuno" (Batanes Series), part of her 1985 exhibition at the Cultural Center of the Philippines, resurfaced at León Gallery in Makati Central Business District.
Pacita Abad and Jack Garrity moved back to Washington D.C. in 1986 for Garrity's work at the World Bank.
Pacita Abad created the quilted canvas works "Bacongo III-IV" in 1986.
Pacita Abad created the quilted canvas work "European Mask" in 1990.
Pacita Abad became a naturalized citizen of the United States in 1994.
Pacita Barsana Abad died on December 7, 2004.
In 2019, Tate Modern exhibited three of Pacita Abad's quilted canvas works: "Bacongo III-IV" (1986) and "European Mask" (1990). In the same year, her trapunto quilting paintings were showcased at Frieze London.
On July 31, 2020, Pacita Abad was honored with a Google Doodle.
The first major retrospective of Pacita Abad's work was held in 2023, opening at the Walker Art Center in Minneapolis. The exhibition traveled to the San Francisco Museum of Modern Art, followed by MoMA PS1 in New York, and then the Art Gallery of Ontario in Toronto.
As of 2024, Pacita Abad's retrospective is recognized as the largest museum exhibit in the United States dedicated to an Asian American female artist.