Rome, Open City, a 1945 Italian neorealist film directed by Roberto Rossellini, depicts life in Rome under Nazi occupation in 1944. It centers on a Resistance fighter attempting to flee the city with the aid of a Catholic priest. The film portrays the struggles of various characters amidst the war. It's the first film in Rossellini's "Neorealist Trilogy".
The list of 100 Italian films to be saved includes films that "have changed the collective memory of the country between 1942 and 1978".
On August 14, 1943, Rome was declared an open city.
In 1943, the Allied Invasion of Italy took place, but the movie makes no reference to Allied presence, and instead references that it is only the beginning of a long struggle ahead.
On June 4, 1944, the Nazis abandoned Rome.
By 1944, Rossellini began planning a documentary titled Storie di ieri on the subject of Don Pietro Morosini, and meeting with screenwriters including Federico Fellini.
In 1944, in occupied Rome, German SS troops attempt to arrest Luigi Ferraris, a communist Resistance leader. He seeks refuge and assistance from fellow fighters and a Catholic priest.
In 1944, the film Rome, Open City is set in Rome during the Nazi occupation, focusing on characters coping with the occupation and a Resistance fighter attempting to escape the city.
In January 1945, shooting for Rome, Open City began under difficult conditions, developing its style from circumstance. Cinecittà Studios were unavailable due to war damage and use by Allied forces.
In June 1945, production of Rome, Open City ended, having relied on non-professional actors and improvisation due to the wartime conditions.
On September 27, 1945, Rome, Open City opened in Italy, with the war damage to Rome still unrepaired.
In 1945, Rome, Open City, an Italian neorealist war drama film directed by Roberto Rossellini, was released.
On February 25, 1946, Rome, Open City premiered in the United States in New York, with approximately 15 minutes cut due to censorship.
In 1946, Marcello Pagliero completed the film Desiderio, which Rossellini had abandoned due to conditions during World War II. Rossellini disowned the finished product.
In 1946, Paisan was released, being the second film in Rossellini's "Neorealist Trilogy", following Rome, Open City.
In 1946, Rome, Open City won the Palme d'Or at the Cannes Film Festival.
In 1946, critic James Agee stated that "Open City lacks the depth of characterization, thought, and feeling which might have made it a definitively great film...you seldom see as pure freshness and vitality in a film".
In 1947, Rome, Open City was inexplicably withdrawn in Argentina following an anonymous government order.
In 1948, Germany, Year Zero was released, completing Rossellini's "Neorealist Trilogy", following Rome, Open City and Paisan.
The list of 100 Italian films to be saved includes films that "have changed the collective memory of the country between 1942 and 1978".
In 1983, Rod E. Geiger brought an unsuccessful defamation lawsuit against Federico Fellini regarding Fellini's account of Geiger's involvement in the film.
In 1995, Rome, Open City was included by the Vatican in a list of important films compiled, under the category of "Values".
In 1995, during the restoration of the print by Cineteca Nazionale, it was revealed that the original negative consisted of different types of film stocks: Ferrania C6 for outdoor scenes, and Agfa Super Pan and Agfa Ultra Rapid for interiors. The change in image brightness was attributed to inadequate processing.
In 1996, Federico Fellini's autobiographical essay "Sweet Beginnings" was published, recounting the film's journey to the United States.
In 1996, the film Celluloide by Carlo Lizzani was released, dramatizing the difficulties encountered during the shooting of Rome, Open City.
In 2004, The Children of Rome Open City, a documentary directed by Laura Muscardin, was released.
In 2008, Rome, Open City was included on the Italian Ministry of Cultural Heritage’s 100 Italian films to be saved, a list of films that "have changed the collective memory of the country between 1942 and 1978".
As of July 2019, Rome, Open City had a 100% approval rating on Rotten Tomatoes, based on 42 reviews.
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