An overview of the childhood and early education of Claude Monet, highlighting the experiences that shaped the journey.
Claude Monet (1840-1926) was a pivotal French painter and a founder of Impressionism, significantly influencing modern art. He dedicated his career to capturing his subjective perceptions of nature, particularly through plein air landscape painting. His painting, *Impression, Sunrise*, lent its name to the Impressionist movement after being exhibited at the First Impressionist Exhibition in 1874, an event organized by Monet and other artists seeking an alternative to the traditional Salon.
In 1900, Monet claimed that in 1861, his family required him to renounce his artistic career and take over the family business in return for paying the cost of a substitute for army conscription.
Monet stayed in a London hotel from January to March 1901, painting Waterloo Bridge, Charing Cross Bridge and the Houses of Parliament. His visit ended due to pleurisy, and he had to spend three weeks in his hotel room.
In 1901, Claude Monet expanded the pond on his property by purchasing a meadow situated across the Ru, a local stream. Following this acquisition, he divided his time between working outdoors in nature and working inside his studio.
In 1901, Monet enlarged the pond in his garden.
In 1902, Monet expanded the size of his water garden by nearly 4000 square metres.
In December 1908, on the way home from Venice, Monet and his wife broke their journey for a four-day stay with Renoir at Cagnes. Once back in Giverny and while not finished Monet sold all of his Venice paintings on 12 December 1908 to the Bernheim-Jeune brothers for 12,000 francs each.
In the autumn of 1908, Monet and his wife Alice accepted Mary Hunter's offer to stay with her in the Palazzo Barbaro in Venice.
In 1910, Monet enlarged the pond in his garden and had easels installed all around it.
In 1911, Monet's second wife, Alice, passed away.
In 1914, Monet's oldest son, Jean, died. During this time, Monet began to develop the first signs of possible cataracts. Encouraged by Clemenceau, Monet made plans to construct a new, large studio that he could use to create a "decorative cycle of paintings devoted to the water garden".
In 1923, Monet underwent cataract surgery, but experienced persistent cyanopsia and struggled with aphakic spectacles.
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