Claude Monet (1840-1926) was a pivotal French painter and a founder of Impressionism, significantly influencing modern art. He dedicated his career to capturing his subjective perceptions of nature, particularly through plein air landscape painting. His painting, *Impression, Sunrise*, lent its name to the Impressionist movement after being exhibited at the First Impressionist Exhibition in 1874, an event organized by Monet and other artists seeking an alternative to the traditional Salon.
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From 22 November to 15 December 1900, another exhibition dedicated to Monet was held at the Durand-Ruel gallery, with around ten versions of the Water Lilies exhibited.
In 1900, Monet claimed that in 1861, his family required him to renounce his artistic career and take over the family business in return for paying the cost of a substitute for army conscription.
In 1900, Monet exhibited his first group of pictures of the garden, devoted primarily to his Japanese bridge.
Monet stayed in a London hotel from January to March 1901, painting Waterloo Bridge, Charing Cross Bridge and the Houses of Parliament. His visit ended due to pleurisy, and he had to spend three weeks in his hotel room.
In 1901, Claude Monet expanded the pond on his property by purchasing a meadow situated across the Ru, a local stream. Following this acquisition, he divided his time between working outdoors in nature and working inside his studio.
In 1901, Monet enlarged the pond in his garden.
In 1902, Monet expanded the size of his water garden by nearly 4000 square metres.
From 1903 to 1908, Claude Monet created paintings for his exhibition Les Nymphéas. These canvases were created with great difficulty: Monet spent a significant amount of time reworking them in order to find the perfect effects and impressions. When he deemed them unsuccessful he did not hesitate to destroy them.
The series Views of the Thames in London — 1900 to 1904 was exhibited in May and June 1904.
In 2004, Claude Monet's painting, London, the Parliament, Effects of Sun in the Fog (Londres, le Parlement, trouée de soleil dans le brouillard; 1904), was sold for US$20.1 million.
Around 1905, Claude Monet began to gradually change his painting aesthetics by abandoning the defined perimeter of the water body, leading to a shift in his artistic perspective. He also experimented with different canvas shapes and sizes, transitioning from traditional rectangular stretchers to square and then circular formats.
In 1906, Claude Monet continually postponed his Durand-Ruel exhibition because he was not satisfied with his works. He spent a significant amount of time reworking them in order to find the perfect effects and impressions. When he deemed them unsuccessful he did not hesitate to destroy them.
In December 1908, on the way home from Venice, Monet and his wife broke their journey for a four-day stay with Renoir at Cagnes. Once back in Giverny and while not finished Monet sold all of his Venice paintings on 12 December 1908 to the Bernheim-Jeune brothers for 12,000 francs each.
From 1903 to 1908, Claude Monet created paintings for his exhibition Les Nymphéas. These canvases were created with great difficulty: Monet spent a significant amount of time reworking them in order to find the perfect effects and impressions. When he deemed them unsuccessful he did not hesitate to destroy them.
In the autumn of 1908, Monet and his wife Alice accepted Mary Hunter's offer to stay with her in the Palazzo Barbaro in Venice.
On May 6, 1909, Claude Monet's exhibition, Les Nymphéas, opened to the public after multiple delays since 1906. The exhibition featured 48 paintings, created between 1903 and 1908, showcasing a series of landscapes and water lily scenes, and achieved considerable success.
In 1909, Monet had a successful exhibition of the first Water Lilies series, consisting of 42 canvases.
In 1910, Monet enlarged the pond in his garden and had easels installed all around it.
In 1911, Monet's second wife, Alice, passed away.
In 1913, Monet travelled to London to consult the German ophthalmologist Richard Liebreich, who prescribed new glasses and rejected cataract surgery for the right eye.
From 1914, Monet produced several panel paintings for the French Government to great financial success.
In 1914, Monet's oldest son, Jean, died. During this time, Monet began to develop the first signs of possible cataracts. Encouraged by Clemenceau, Monet made plans to construct a new, large studio that he could use to create a "decorative cycle of paintings devoted to the water garden".
Monet primarily worked on his "cycle of paintings" from around 1916.
Until 1918, Monet produced several panel paintings for the French Government to great financial success and he would later create works for the state.
In 1919, Monet began a series of landscape paintings, although he was not pleased with the outcome. By October, he ceased plein air painting and sold four of the eleven Water Lilies paintings the next month, despite his reluctance.
By 1920, Monet admitted that he had grown too accustomed to broad painting to return to small canvases. He would often work on large canvases due to the deterioration of his eyesight
Monet primarily worked on his "cycle of paintings" until around 1921.
In 1922 a prescription of mydriatics provided short-lived relief.
Following his optical operation in 1923, Monet returned to his style from before a decade ago, emphasizing color schemes of blue and green.
In 1923, Monet underwent cataract surgery, but experienced persistent cyanopsia and struggled with aphakic spectacles.
By 1925, Monet's visual impairment had improved, and he began to retouch some of his pre-operative works, with bluer water lilies than before.
Claude Monet, a French painter and key founder of Impressionism, died in December 1926. His approach to painting nature as he perceived it made him a precursor to modernism. Throughout his long career, he consistently expressed his perceptions of nature through plein air landscape painting. Impressionism as a term is derived from his painting Impression, Sunrise.
On December 5, 1926, Claude Monet passed away from lung cancer at the age of 86. His funeral was a simple ceremony attended by only about fifty people, as he had wished. At the ceremony, Clemenceau replaced the black cloth on Monet's coffin with a flower-patterned one, exclaiming, "No black for Monet!". At the time of his death, Waterlilies was "technically unfinished".
Monet continued to evolve the style of his paintings until the end of his life in 1926. In his later career, Monet "transcended" the Impressionist style and begun to push the boundaries of art.
In May 1927, 27 panel paintings were displayed in the Musée de l'Orangerie, following lengthy negotiations with the French government. Due to the neglect of Monet's later works, few people attended the showing.
From 1933 under the Nazi regime in Germany, Jewish art collectors of Claude Monet were robbed by Nazis and their agents.
Until 1945 under the Nazi regime in German-occupied countries, Jewish art collectors of Claude Monet were robbed by Nazis and their agents.
In 1952, an essay by André Masson helped change the perception of Claude Monet's paintings and inspired an appreciation that began to take shape in 1956–1957.
In 1952, following a formative experience at Giverny, Ellsworth Kelly created Tableau Vert as an homage to Claude Monet's works created there.
In 1956, an essay by André Masson helped change the perception of Claude Monet's paintings and inspired an appreciation that began to take shape in 1956–1957.
In 1957, an essay by André Masson helped change the perception of Claude Monet's paintings and inspired an appreciation that began to take shape in 1956–1957.
In 1978, after having grown decrepit for over 50 years, Claude Monet's garden in Giverny was restored and opened to the public.
In 1980, following restoration, Claude Monet's house and gardens were opened to the public for visits through the Fondation Claude Monet. The house displays souvenirs of Monet, objects from his life, and his collection of Japanese woodcut prints, which greatly influenced his art.
In 1981, Ronald Pickvance noted that Claude Monet's works after 1880 were increasingly receiving scholarly attention.
In 1998, Falaises près de Dieppe (Cliffs Near Dieppe) was stolen from a museum, leading to the conviction of the museum's curator, who was jailed for five years and two months along with two accomplices.
On November 14, 2001, a Google Doodle was created for Claude Monet's 161st birthday. The Doodle depicted the Google logo in Monet's signature style, making it the first Google Doodle made for someone's birthday.
In 2004, Claude Monet's painting, London, the Parliament, Effects of Sun in the Fog (Londres, le Parlement, trouée de soleil dans le brouillard; 1904), was sold for US$20.1 million.
In 2006, the journal Proceedings of the Royal Society published a paper providing evidence that Claude Monet's paintings of Parliament were painted in situ at St. Thomas' Hospital over the river Thames.
In August 2007, Falaises près de Dieppe (Cliffs Near Dieppe) was stolen from a museum.
On May 6, 2008, Claude Monet's Le Pont du chemin de fer à Argenteuil, an 1873 painting of a railway bridge spanning the Seine near Paris, was bought by an anonymous telephone bidder for a record $41.4 million at Christie's auction in New York. The previous record for a Monet painting was $36.5 million.
In June 2008, Claude Monet's Le bassin aux nymphéas (from the water lilies series) sold at Christie's auction in London for £40,921,250 ($80,451,178), nearly doubling the record for the artist. This purchase represented one of the top 20 highest prices paid for a painting at the time.
In June 2008, the painting Falaises près de Dieppe (Cliffs Near Dieppe), which had been stolen in August 2007, was recovered.
In October 2013, Claude Monet's paintings L'Eglise de Vétheuil and Le Bassin aux Nympheas became subjects of a legal case in New York against Vilma Bautista, one-time aide to Imelda Marcos, after she sold Le Bassin aux Nympheas for US$32 million. The Philippine government sought the return of the painting, alleging it was acquired with the nation's funds.
In 2014, during the discovery of a hidden trove of art in Munich, a Claude Monet painting that had belonged to a Jewish retail magnate was found in the suitcase of Cornelius Gurlitt, the son of one of Adolf Hitler's official dealers of looted art, Hildebrand Gurlitt.
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