The Shroud of Turin is a linen cloth bearing an image believed by some to be that of Jesus of Nazareth after his crucifixion. Revered for centuries, especially within the Catholic Church, it's considered by some to be Jesus' burial shroud, miraculously imprinted with his image. The image is clearer in negative, a discovery made in 1898 by Secondo Pia, which led to the popular Catholic devotion to the Holy Face of Jesus. The shroud's authenticity remains a subject of debate, with various scientific studies and interpretations contributing to the ongoing discussion.
In 1902, Yves Delage conducted an initial study on the anatomical consistency of the image on the shroud, declaring the image anatomically flawless.
In 1931, Giuseppe Enrie photographed the Shroud of Turin and obtained results similar to Secondo Pia's.
In 1931, Giuseppe Enrie took a photographic negative of the Shroud. A reproduction of this negative was later used in a 2011 study by Salvatore Lorusso and others, where detailed modern digital image processing found no images of flowers, coins, or anything else on either image.
In 1936, Maria Pierina De Micheli reported having visions of Jesus, initiating the modern devotion to the Holy Face centered on the negative photographic image from the Shroud of Turin.
In 1936, Pius XII referred to the Shroud as a "holy thing perhaps like nothing else".
In 1940, Sister Maria Pierina De Micheli requested authorization from the curia of Milan to produce a devotional medal based on the image of Jesus's face from the Shroud of Turin.
The usage of 'sindonological' was identified in 1950, regarding study of the Shroud of Turin.
The usage of 'sindonologist' was identified in 1953, regarding study of the Shroud of Turin.
In 1964, the Oxford English Dictionary cited the first use of the word 'sindonology' to describe the formal study of the Shroud of Turin.
The first direct examination of the Shroud of Turin by a scientific team was undertaken in 1969 to advise on preservation and determine specific testing methods.
In 1973, preliminary studies of samples of the fabric of the Shroud of Turin were conducted after the appointment of an 11-member Turin Commission.
In 1976, physicist John P. Jackson, thermodynamicist Eric Jumper and photographer William Mottern used image analysis technologies developed in aerospace science for analyzing the images of the Shroud of Turin.
In 1976, scientists used NASA imaging equipment to analyze a photograph of the shroud image and decoded it into a three-dimensional image.
In 1977, the Shroud of Turin Research Project was formed by John P. Jackson, Eric Jumper, William Mottern, and over thirty other experts in various fields.
In 1977, the shroud and its backing cloth were vacuumed, and the collected material was later analyzed in a 2015 study by Barcaccia et al., which examined the human and non-human DNA found in the vacuumed material.
In October 1978, a team of scientists affiliated with STURP took 32 samples from the surface of the Shroud, using adhesive tape.
In 1978, Giovanni Tamburelli obtained a 3D-elaboration from the Shroud with higher resolution and electronically removed the blood from the image.
In 1978, Joe Nickell hypothesized that a medieval rubbing technique, involving a bas-relief sculpture, was used to create the Shroud image and demonstrated this technique.
In 1978, Walter McCrone examined samples taken from the surface of the Shroud of Turin and determined that the image had been painted with red ochre pigment in a gelatin medium. He also concluded that the apparent bloodstains were painted with vermilion pigment, also in a gelatin medium.
In 1978, direct access to the Shroud of Turin was granted to the Shroud of Turin Research Project (STURP).
In 1978, ultraviolet photographs were taken of the Shroud of Turin.
Since 1978, an image in the medieval manuscript of the Pray Codex (c. 1192–1195) has generated a debate among some believers, with some suggesting that features of the drawing point towards a possible attempted representation of the linen cloth.
In June 1980, Walter McCrone resigned from the Shroud of Turin Research Project (STURP).
After his analysis of the Shroud was first published in 1980, McCrone continued to argue in journal articles, public lectures, that the Shroud of Turin had been painted in the 14th century and that it showed no traces of actual blood.
In 1983, Joe Nickell stated that the proportions of the image on the shroud are not realistic.
In 1983, ownership of the Shroud of Turin passed from the House of Savoy to the Catholic Church, following the death of former King Umberto II.
In 1983, the Shroud of Turin remained the property of the House of Savoy until it was bequeathed to the Holy See according to the terms of the will of former King Umberto II of Italy.
In 1988, independent radiocarbon dating tests were carried out at the University of Oxford, the University of Arizona, and the Swiss Federal Institute of Technology, which concluded with 95% confidence that the material dated to 1260–1390 AD.
In 1988, radiocarbon dating by three independent laboratories established that the Shroud of Turin dates back to the Middle Ages, between the years 1260 and 1390.
In 1988, the shroud's backing cloth was vacuumed, and the collected material was later analyzed in a 2015 study by Barcaccia et al., which examined the human and non-human DNA found in the vacuumed material.
In 1996, McCrone's book 'Judgment Day for the Shroud of Turin' appeared, arguing that the Shroud had been painted in the 14th century and that it showed no traces of actual blood.
On April 11, 1997, a fire, possibly caused by arson, threatened the Shroud of Turin.
On Sunday May 24, 1998, Pope John Paul II gave an address at the Turin Cathedral for the occasion of the 100th year of Secondo Pia's photograph, stating that the Shroud is an image of God's love as well as of human sin.
In 1998, Pope John Paul II called the Shroud of Turin a "distinguished relic" and "a mirror of the Gospel".
In 1998, shroud researcher Joe Nickell noted that no examples of herringbone weave are known from the time of Jesus, while burial cloths from that era are made using plain weave.
In 2000, McCrone was awarded the American Chemical Society's National Award in Analytical Chemistry for his work on the Shroud of Turin.
In 2000, Pope John Paul II arranged for a public showing of the Shroud of Turin.
In 2000, fragments of a burial shroud from the 1st century were discovered in a tomb near Jerusalem, believed to have belonged to a Jewish high priest or member of the aristocracy. Researchers concluded that the Turin Shroud did not originate from Jesus-era Jerusalem based on this discovery.
In 2002, the Holy See had the Shroud of Turin restored. The cloth backing and thirty patches were removed, making it possible to photograph and scan the reverse side of the cloth.
In 2004, a faint part-image of the body was found on the back of the Shroud of Turin, after the cloth backing was removed.
In 2005, researcher Jacques di Costanzo constructed a bas-relief of a Jesus-like face and draped wet linen over it, creating an image similar to that of the face on the Shroud.
In 2007, the analysis of a crucified Roman discovered near Venice showed heel wounds that are consistent with those found on Jehohanan but not consistent with wounds depicted on the shroud.
In 2009, Luigi Garlaschelli, professor of organic chemistry at the University of Pavia, stated that he had made a full-size reproduction of the Shroud of Turin using only medieval technologies.
From April 10 to May 23, 2010, the Shroud of Turin was placed back on public display in Turin for the 18th time in its history; more than 2 million visitors came to see it.
In 2010, Garlaschelli's reproduction of the Shroud of Turin was shown in a National Geographic documentary.
In 2010, Gregory S. Paul stated that the proportions of the image are not realistic. Paul argued that the face and proportions of the shroud image are impossible, that the figure cannot represent that of an actual person and that the posture was inconsistent.
In 2011, Lorusso and others subjected two photographs of the shroud to detailed modern digital image processing and found no images of flowers or coins or writing or any other additional objects on the shroud in either photograph.
In 2011, Salvatore Lorusso and others at the University of Bologna subjected two photographs of the shroud to detailed modern digital image processing and found no images of flowers, coins, or anything else on either image.
On March 30, 2013, as part of the Easter celebrations, there was an exposition of the Shroud of Turin in the Cathedral of Turin.
In 2013, Pope Francis referred to the Shroud of Turin as an "icon of a man scourged and crucified".
On Holy Saturday, March 30, 2013, images of the Shroud of Turin were streamed on various websites and on television for the first time in 40 years.
From April 19, 2015, the Shroud of Turin was again placed on display in the cathedral in Turin.
June 24, 2015, marked the end of the display of the Shroud of Turin in the cathedral in Turin.
On June 21, 2015, Pope Francis went on a pilgrimage to Turin to pray before and venerate the Holy Shroud and honor St. John Bosco on the bicentenary of his birth.
In 2015, Barcaccia et al. published a study in Scientific Reports examining human and non-human DNA from the shroud. They found traces of 19 plant taxa from various regions and human mtDNA sequences typical of diverse ethnicities. The scientists confirmed that many people from many different places came in contact with the shroud.
In 2018, an experimental Bloodstain Pattern Analysis (BPA) was performed, comparing blood flow patterns from wounds of a crucified person to the evidence on the Turin Shroud, revealing inconsistencies that suggest the shroud may be an artistic representation.
In 2020, the most recent statistical analysis of radiocarbon dating data suggests that if the Zurich and Tucson data were displaced upward by 88 RCY, all the results would agree within the observed uncertainty, indicating a potential need for adjustment in the data.
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