Universal Pictures is an American film production and distribution company. Headquartered in Universal City, California, it operates as the flagship studio of Universal Studios, which is the film studio arm of NBCUniversal, a subsidiary of Comcast. As a major Hollywood studio, Universal Pictures produces and distributes a wide range of films globally, playing a significant role in the entertainment industry.
Universal Pictures' CinemaCon 2025 presentation highlighted sequels and horror, while Sony unveiled first looks at 'Spider-Man: Brand New Day' and 'Spider-Man: Beyond the Spider-Verse', generating excitement for upcoming releases.
In 1908, the Edison-backed Motion Picture Patents Company (or the "Edison Trust") was created, requiring exhibitors to pay fees for Trust-produced films they showed.
In June 1909, Carl Laemmle started the Yankee Film Company with his brothers-in-law Abe Stern and Julius Stern, which quickly evolved into the Independent Moving Pictures Company (IMP).
In 1910, Carl Laemmle promoted Florence Lawrence, formerly known as "The Biograph Girl", and actor King Baggot, in what may be the first instance of a studio using stars in its marketing.
On April 30, 1912, the Universal Film Manufacturing Company was incorporated in New York City.
On June 8, 1912, the Universal company was established in a merger of several motion picture companies, with Laemmle as the primary figure.
In July 1912, Carl Laemmle emerged as president of the Universal Film Manufacturing Company.
By the end of 1912, Universal was focusing its production efforts in the Hollywood area, following the westward trend of the industry.
In 1912, Universal Pictures was founded by Carl Laemmle, Mark Dintenfass, Charles O. Baumann, Adam Kessel, Pat Powers, William Swanson, David Horsley, Robert H. Cochrane and Jules Brulatour. It is the oldest surviving film studio in the United States and the fifth oldest globally.
On March 15, 1915, Carl Laemmle opened the world's largest motion picture production facility, Universal City Studios, in Hollywood.
In 1916, Universal formed a three-tier branding system for their releases to give theater owners and audiences a quick reference guide.
In 1917, Character actor Lon Chaney left Universal because of a salary dispute.
In 1919, Erich von Stroheim directed "Blind Husbands", for which he insisted on excessively lavish production values.
In 1919, Irving Thalberg was promoted to studio chief, improving the quality and prestige of Universal's output.
On October 6, 1922, Erich von Stroheim was fired six weeks into the production of "Merry-Go-Round (1923)" and replaced with Rupert Julian.
In 1922, Erich von Stroheim directed "Foolish Wives", for which he insisted on excessively lavish production values.
In 1923, Clarence Brown's "The Acquittal" was released as a "Super-Jewel" production.
In 1923, Erich von Stroheim was fired six weeks into the production of "Merry-Go-Round" and replaced with Rupert Julian.
In 1923, Lon Chaney's made an isolated return to Universal for the release of "The Hunchback of Notre Dame".
In 1924, Hobart Henley's "A Lady of Quality" was released as a "Super-Jewel" production.
In 1924, Irving Thalberg continued as vice-president in charge of production for the new company, Metro-Goldwyn-Mayer.
In 1925, Lon Chaney made an isolated return to Universal for the release of "The Phantom of the Opera".
In 1926, Universal opened a production unit in Germany, Deutsche Universal-Film AG, under the direction of Joe Pasternak.
By April 1927, Carl Laemmle considered Universal's "clean picture" policy a mistake, as "unclean pictures" from other studios generated more profit.
In 1927, Charles Mintz signed a contract with Universal to produce 26 "Oswald the Lucky Rabbit" cartoons, animated by Walt Disney and Ub Iwerks.
In 1927, Harry A. Pollard's "Uncle Tom's Cabin" and Edward Sloman's "Surrender" were released as "Super-Jewel" productions.
In 1928, Carl Laemmle Sr. made his son, Carl Jr., head of Universal Pictures as a 21st birthday present.
In 1929, Universal released the part-talkie version of "Show Boat" and the lavish musical "Broadway".
Universal releases the EMKA, Ltd. catalog of 1929–1949 Paramount Pictures, owned by sister company Universal Television.
In 1930, Universal released "King of Jazz", the first all-color musical feature, and "All Quiet on the Western Front", which won the Best Picture Oscar.
In 1931, Universal released the horror films Dracula and Frankenstein, which were part of a series that extended into the 1940s.
In 1932, Universal featured westerns with Tom Mix, which ran from 1932 to 1933, as part of its lower-budget productions.
In 1932, Universal released the horror film The Mummy, which was part of a series that extended into the 1940s.
In 1933, Universal featured westerns with Buck Jones, which ran from 1933 to 1936, as part of its lower-budget productions.
In 1933, Universal released the horror film The Invisible Man and Tay Garnett's Destination Unknown.
In 1934, Universal released John M. Stahl's Imitation of Life.
In 1935, Universal released William Wyler's The Good Fairy.
In late 1935, production began on a lavish version of Show Boat, a remake of the earlier 1929 part-talkie production.
On April 2, 1936, Standard Capital Corporation foreclosed on Universal, seizing control of the studio after the Laemmles could not repay a production loan.
In 1936, Deutsche Universal-Film AG migrated to Hungary and then Austria in the face of Hitler's increasing domination of central Europe.
In 1936, Universal's Show Boat was released to critical and financial success, but the Laemmles were removed from the company, and Standard Capital's J. Cheever Cowdin took over as president and chairman of the board.
In 1936, teenage singer Deanna Durbin starred in producer Joe Pasternak's first American film, "Three Smart Girls". The film was a box-office hit that reportedly resolved the studio's financial problems and led Universal to offer Durbin a contract.
In 1938, Universal concentrated on lower-budget productions. This included action features and serials such as "The Dead End Kids and Little Tough Guys" (1938-43), "Baby Sandy" (1938-41), comedies with Hugh Herbert (1938-42), musicals with Robert Paige, Jane Frazee, The Andrews Sisters, and The Merry Macs (1938-45), and westerns with Bob Baker (1938-39) and Johnny Mack Brown (1938-43).
In 1939, Universal signed 13-year-old Gloria Jean for a series of musicals. Also in 1939, the popular Universal film "Destry Rides Again", starring James Stewart and Marlene Dietrich, was released.
In 1940, Universal featured comedies with The Ritz Brothers, which ran from 1940 to 1943, as part of its lower-budget productions.
In 1940, Universal's in-house animation studio, headed by Walter Lantz, created Woody Woodpecker.
In 1941, Abbott and Costello's military comedy "Buck Privates" gave the comedians a national and international profile.
In 1942, Universal made use of the three-strip Technicolor process for the first time in the film "Arabian Nights", starring Jon Hall and Maria Montez.
In 1942, Universal released Sherlock Holmes mysteries starring Basil Rathbone and Nigel Bruce (1942-46), teenage musicals with Gloria Jean, Donald O'Connor, and Peggy Ryan (1942-43). Alfred Hitchcock was borrowed for the film "Saboteur" (1942).
In 1943, Universal released screen adaptations of radio's Inner Sanctum Mysteries with Lon Chaney Jr. (1943-45). Alfred Hitchcock was borrowed for the film "Shadow of a Doubt" (1943).
In 1943, Universal used Technicolor for the studio's remake of their 1925 horror melodrama, "Phantom of the Opera" with Claude Rains and Nelson Eddy.
In 1944, Universal featured westerns with Rod Cameron, which ran from 1944 to 1945, as part of its lower-budget productions.
In 1945, J. Arthur Rank, who already owned a stake in the studio, bought into a four-way merger with Universal, International Pictures, and producer Kenneth Young, creating United World Pictures.
On July 30, 1946, the reorganization of Universal as Universal-International was announced. William Goetz became head of production, shifting focus away from low-budget productions.
In 1946, Universal featured westerns with Kirby Grant, which ran from 1946 to 1947, as part of its lower-budget productions.
In 1946, Universal-International became responsible for the American distribution of J. Arthur Rank's British productions, including "Great Expectations".
In 1947, Universal released "The Egg and I", which later led to the Ma and Pa Kettle spin-off series.
In 1947, Universal-International branched out into the non-theatrical field, buying a majority stake in home-movie dealer Castle Films.
In 1948, "The Naked City", produced by Mark Hellinger, was released. "Abbott and Costello Meet Frankenstein" was also one of the studio's top-grossing productions that year.
In 1948, Universal-International became responsible for the American distribution of Laurence Olivier's "Hamlet".
In the wake of the 1948 U.S. vs. Paramount Pictures decision, other studios let their contract actors go and leading actors were increasingly free to work where and when they chose.
In 1949, Universal returned to low-budget and series films, including the Ma and Pa Kettle series, a spin-off of the studio's 1947 hit "The Egg and I".
Universal releases the EMKA, Ltd. catalog of 1929–1949 Paramount Pictures, owned by sister company Universal Television.
In 1950, MCA agent Lew Wasserman made a deal with Universal for his client James Stewart, giving Stewart a share in the profits of three pictures in lieu of a large salary. One of those films, Winchester '73 (1950), proved to be a hit, and the arrangement would become the rule for many future productions at Universal and eventually at other studios as well.
In 1950, Universal's inexpensive Francis series, the first film of a series about a talking mule, became mainstays of the company.
In 1951, Universal-International took over Castle Films entirely. Castle would offer highlights reels from the Universal film library to home-movie enthusiasts and collectors for three decades.
In 1952, J. Arthur Rank sold his shares to Milton Rackmil, whose Decca Records took full control of Universal.
In 1958, Universal sold its 360-acre studio lot to MCA for $11 million, and it was renamed Revue Studios.
In mid-1962, the long-awaited takeover of Universal Pictures by MCA, Inc. happened as part of the MCA-Decca Records merger.
In 1963, MCA formed Universal City Studios, Inc., merging the motion pictures and television arms of Universal Pictures Company and Revue Studios (Universal Television).
In 1964, Universal launched a studio tour subsidiary.
In 1969, Hal B. Wallis produced a lavish version of Maxwell Anderson's "Anne of the Thousand Days" at Universal. The film received Academy Award nominations.
In 1970, Universal produced occasional hits, one of them being the release of the film 'Airport'.
In 1971, Hal B. Wallis produced "Mary, Queen of Scots" at Universal. The film received Academy Award nominations.
In 1973, Universal Productions France S.A. was involved in the French co-production of Fred Zinnemann's "The Day of the Jackal".
In 1973, Universal produced the occasional hits 'The Sting' and 'American Graffiti'.
In 1974, Universal Productions France S.A. was involved in the French co-production of Bertrand Blier's "Les Valseuses" (English title "Going Places").
In 1975, Hal B. Wallis retired from Universal after making the film "Rooster Cogburn", a sequel to "True Grit".
In 1975, the film 'Jaws' was released, restoring the company's fortunes as a big box-office success.
In 1977, the film 'Smokey and the Bandit' was released as one of the film hits.
In 1978, the film 'Animal House' was released.
In 1979, the film 'The Jerk' was released.
In 1980, the film 'The Blues Brothers' was released.
In 1981, Metro-Goldwyn-Mayer purchased United Artists, and Universal released 'The Four Seasons'.
In 1982, Universal became the studio base for many shows that were produced by Norman Lear's Tandem Productions/Embassy Television, including Diff'rent Strokes, One Day at a Time, The Jeffersons, The Facts of Life, and Silver Spoons.
In 1982, the film 'E.T. the Extra-Terrestrial' was released as one of the film hits.
In 1983, Universal Pictures launched an independent film arm designed to release specialty films, Universal Classics.
In 1983, the film 'Scarface' was released and turned out to be a box office disappointment despite its high budget.
In 1984, the film 'Dune' was released and turned out to be a box office disappointment despite its high budget.
In 1985, the films 'The Breakfast Club' and 'Back to the Future' were released.
In 1986, consumer reach in China was measured in terms of the 25 billion admission tickets that were clocked.
In 1986, the film 'An American Tail' was released.
In 1987, Universal Pay Television spawned an 11-picture cable television agreement with then-independent film studio New Line Cinema.
In 1987, Universal Pictures, MGM/UA Communications Co., and Paramount Pictures teamed up to market feature film and television products to China.
In 1988, the film 'The Land Before Time' was released.
In 1990, Matsushita Electric (now known as Panasonic) acquired MCA for $6.6 billion.
In 1993, the film 'Jurassic Park' was released.
In 1995, the film 'Casper' was released.
On December 9, 1996, the MCA name was dropped and the company became Universal Studios, Inc. MCA's music division became Universal Music Group, while MCA Records continued as a label.
In 1997, UIP began distributing films by start-up studio DreamWorks due to the founders' connections with Paramount, Universal, and Amblin Entertainment.
On October 4, 1999, Universal renewed its commitment to United International Pictures to release its films internationally through 2006.
In 1999, Seagram bought PolyGram from Philips and other entertainment properties, hoping to build an entertainment empire around Universal.
In late 2000, the New York Film Academy was permitted to use the Universal Studios backlot for student film projects in an unofficial partnership.
In 2001, MGM dropped out of the UIP venture and went with 20th Century Fox's international arm to handle the distribution of their titles.
In 2001, Universal Pictures acquired the United States distribution rights of several of StudioCanal's films, such as David Lynch's Mulholland Drive and Brotherhood of the Wolf.
In 2003, Universal Pictures and StudioCanal co-produced 'Love Actually', a $40 million budgeted film that grossed $246 million worldwide.
In late 2005, Viacom's Paramount Pictures acquired DreamWorks SKG after acquisition talks between GE and DreamWorks stalled.
In February 2006, NBCUniversal sold all the Disney-animated Oswald cartoons, along with the rights to the character himself, to The Walt Disney Company.
In early 2006, Universal's long-time chairperson, Stacey Snider, left the company to head up DreamWorks, and was replaced by Marc Shmuger and David Linde.
On October 4, 1999, Universal renewed its commitment to United International Pictures to release its films internationally through 2006.
On October 5, 2009, Marc Shmuger and David Linde were ousted from their co-chairperson jobs, and Adam Fogelson became the single chairperson. Donna Langley was also upped to co-chairperson.
In September 2013, Adam Fogelson was ousted as co-chairman of Universal Pictures, promoting Donna Langley to sole chairperson. Jeff Shell was appointed chairman of the Filmed Entertainment Group, and Ron Meyer became vice chairman of NBCUniversal.
In 2013, Universal's multi-year film financing deal with Elliott Management expired. In summer 2013, Universal made an agreement with Legendary Pictures to distribute their films for five years starting in 2014.
In June 2014, Universal Partnerships took over licensing consumer products for NBC and Sprout.
In summer 2013, Universal made an agreement with Thomas Tull's Legendary Pictures to distribute their films for five years starting in 2014.
In May 2015, Gramercy Pictures was revived by Focus Features as a genre label concentrating on action, sci-fi, and horror films.
On December 16, 2015, Amblin Partners announced it entered into a five-year distribution deal with Universal Pictures.
In 2015, Universal was the first studio to have released three billion-dollar films in one year; Furious 7, Jurassic World, and Minions.
On April 28, 2016, Universal's parent company, NBCUniversal, announced a $3.8 billion deal to buy DreamWorks Animation.
On August 22, 2016, the deal to buy DreamWorks Animation was completed.
In early 2016, Perfect World Pictures announced a long-term co-financing deal with Universal, marking the first time a Chinese company directly invested in a multi-year slate deal with a major U.S. studio.
On February 15, 2017, Universal Pictures acquired a minority stake in Amblin Partners, strengthening their relationship.
In December 2019, Universal Pictures entered early negotiations to distribute upcoming feature films based on the Lego toys.
Universal took over the distribution deal with DreamWorks Animation starting in 2019 with the release of How to Train Your Dragon: The Hidden World.
In June 2020, it was announced that Duncan Clark, longtime Universal International Distribution President, would be stepping down. He would transition to a consulting role with the studio in August and would be replaced by Veronika Kwan Vandenberg.
In December 2019, Universal Pictures entered early negotiations to distribute upcoming feature films based on the Lego toys and the first Lego film under Universal Pictures' run of their film rights is Piece by Piece (2024).
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