Discover the career path of Misty Copeland, from the first major opportunity to industry-changing achievements.
Misty Copeland is a celebrated American ballet dancer and author. She is renowned for her groundbreaking achievement as the first African American woman to be promoted to principal dancer at the prestigious American Ballet Theatre (ABT) in its 75-year history, a milestone reached on June 30, 2015. Copeland's accomplishment is significant in promoting diversity and inclusion within the world of ballet.
In 1982, Debra Austin became a principal at Pennsylvania Ballet, one of the first black principal ballerinas at major American companies.
In 1990, Lauren Anderson became a principal at Houston Ballet, the first black principal ballerina at a major American company.
In early 1996, Misty Copeland was convinced by Cantine to attend a ballet class at the local Boys & Girls Club, marking the beginning of her ballet journey at age 13. She began her ballet studies at the San Pedro Dance Center when Cynthia Bradley began picking her up from school.
In 1997, Misty Copeland won the Los Angeles Music Center Spotlight Award, recognizing her as the best dancer in Southern California.
In March 1998, at fifteen years old, Misty Copeland won first place in the Los Angeles Music Center Spotlight Awards at the Chandler Pavilion. This recognition secured her title as the best young dancer in the Greater Los Angeles Area by the Los Angeles Times.
In 1998, Misty Copeland attended the summer workshop at the San Francisco Ballet School. She declined an offer to continue as a full-time student, encouraged by her mother and the Bradley family and also dreaming of a summer with American Ballet Theatre.
In 1998, Misty Copeland's ballet teachers served as her legal guardians amid a custody battle with her mother. Despite these legal issues, Copeland, then an award-winning dancer, received professional offers. Both sides dropped legal proceedings and Copeland moved home to study under a new teacher, a former ABT member.
In 1999, Misty Copeland auditioned for and received offers from several dance programs for their summer programs. She performed with ABT as part of its Summer Intensive programs.
In September 2000, Misty Copeland joined the ABT Studio Company, ABT's second company, performing the Pas de Deux in Tchaikovsky's The Sleeping Beauty.
In 2000, Misty Copeland participated in ABT's Summer Intensive Program, danced the role of Kitri in Don Quixote, and was declared ABT's National Coca-Cola Scholar. She was also selected to join the junior dance troupe.
In 2000, after participating in two summer workshops with American Ballet Theatre (ABT), Misty Copeland became a member of ABT's Studio Company.
In 2001, Misty Copeland became a member of the American Ballet Theatre's (ABT) Corps de ballet.
In 2001, Misty Copeland became a member of the Corps de ballet in the ABT and was sidelined for nearly a year due to a lumbar stress fracture. This led to medical interventions that altered her body image and presented new challenges.
In 2003, Misty Copeland was named to Dance Magazine's "25 to Watch" and received favorable reviews for her roles in La Bayadère and William Forsythe's workwithinwork.
In 2004, Misty Copeland had her breakthrough season, receiving recognition for roles in various ballets. Also in 2004, she met her biological father for the first time and regretted that she had not done so sooner.
In 2005, Misty Copeland's notable performance was a pas de deux in George Balanchine's Tarantella. She also danced the Lead Polovtsian Girl in "Polovtsian Dances" from Prince Igor.
In 2006, Misty Copeland was acknowledged for her performance in Giselle and created a role in Jorma Elo's Glow–Stop. She also performed in Swan Lake in New York and at the Orange County Performing Arts Center.
In 2007, Misty Copeland became a soloist for the American Ballet Theatre (ABT), described as having matured into a more contemporary and sophisticated dancer.
In 2007, Misty Copeland danced the role of Blossom in James Kudelka's Cinderella and the Fairy of Valor in The Sleeping Beauty. Her performance continued to earn her praise.
As of 2008, Copeland was the only African-American woman in the dance company during her entire ABT career, enduring cultural isolation in an international ballet community lacking diversity.
During the 2008–09 season, Misty Copeland garnered praise for her performances in Twyla Tharp's Baker's Dozen and Paul Taylor's Company B.
In the summer of 2008, Misty Copeland's performances in Don Quixote and Sleeping Beauty at the Metropolitan Opera House were well received.
In March 2009, Copeland filmed a music video with Prince for a cover of "Crimson and Clover", from his 2009 album Lotusflower, improvising ballet movements to his direction.
During the 2009 Spring ABT season at the Met, Misty Copeland performed Gulnare in Le Corsaire and leading roles in Taylor's Airs and Balanchine's Pas de Deux from Swan Lake. Late in 2009, she performed in ABT's first trip to Beijing at the new National Center for the Performing Arts and created a role in Aszure Barton's One of Three.
In 2010, Misty Copeland was featured in T-Mobile's ads for the BlackBerry.
In 2010, after recovering from a stress fracture, Misty Copeland performed in Birthday Offering at the Met and at the Guggenheim Museum danced to David Lang's music. She also created the Spanish Dance in Alexei Ratmansky's new version of The Nutcracker.
In April 2011, Misty Copeland performed alongside Prince on the Lopez Tonight show, dancing to "The Beautiful Ones."
In 2011, Misty Copeland unveiled a line of dancewear, M by Misty, which she designed.
In 2011, Misty Copeland was featured in Season 1, episode 5 of the Hulu web series A Day in the Life. Also in 2011, Copeland was a guest judge for the 11th season of FOX's So You Think You Can Dance.
In Black History Month in 2011, Misty Copeland was selected by Essence as one of its 37 Boundary-breaking black women in entertainment. That same month, she toured with Company B and performed at Sadler's Wells Theatre in London. Her Summer 2011 ABT solos included the peasant pas de deux in Giselle and, in Ratmansky's The Bright Stream at the Met in June, her reprise of the Milkmaid was called "luminous, teasingly sensual".
On March 29, 2012, Copeland starred in The Firebird, with choreography by Ratmansky at the Segerstrom Center for the Arts in Costa Mesa, California. The performance was hailed by Laura Bleiberg in the Los Angeles Times as one of the year's best dance performances.
In June 2012, The Firebird was again performed at the Met, with Copeland set to alternate in the lead. After only one New York performance in the role, Copeland withdrew from the entire ABT season due to six stress fractures in her tibia.
In May 2013, after her injury, Copeland returned to the stage dancing the Queen of the Dryads in Don Quixote. Nelson George began filming a documentary about her comeback.
In June 2013, Copeland reprised her role as Gulnare in the pirate-themed Le Corsaire. She also played an Odalisque in the same ballet.
In 2013, Misty Copeland was featured in an ad for Dr. Pepper. Also in 2013, she represented Coach, Inc. and became a spokesperson for Project Plié, a national initiative to broaden leadership within ballet.
In May 2014, Misty Copeland performed the lead role of Swanilda in Coppélia at the Met and was praised in the dual role of Queen of the Dryads and Mercedes in Don Quixote. Later in May, she performed in Theme and Variations, Duo Concertant and Gaîté Parisienne.
In June 2014, Misty Copeland danced the Fairy Autumn in Frederick Ashton's Cinderella and played Lescaut's Mistress in Manon. She also performed the role of Gamzatti in La Bayadère.
In 2014, Misty Copeland became a sponsored athlete for Under Armour, with her women-focused ad campaign widely publicized and recognized.
In 2014, Misty Copeland released a memoir, Life in Motion: An Unlikely Ballerina, co-authored by Charisse Jones. Also in 2014, her children's picture book, titled Firebird, with illustrator Christopher Myers, was released.
In March 2015, Misty Copeland danced the role of Princess Florine in The Sleeping Beauty at the Segerstrom Center for the Arts in Costa Mesa, California.
In April 2015, A Ballerina's Tale, a documentary film about Misty Copeland, debuted at the Tribeca Film Festival.
In May 2015, Misty Copeland played Cowgirl in Rodeo, Bianca in Othello, and Zulma in Giselle.
In May 2015, Misty Copeland was featured on 60 Minutes in a segment with correspondent Bill Whitaker.
In June 2015, Copeland created the small role of the Fairy Fleur de farine (Wheat flower) in Ratmansky's The Sleeping Beauty. The same month, she made her debut as Juliet in Romeo and Juliet a few days before her scheduled performance on June 20.
On June 30, 2015, Misty Copeland achieved a career milestone by becoming the first African American woman to be promoted to principal dancer in the American Ballet Theatre's 75-year history.
In July 2015, a black and white book, Misty Copeland: Power and Grace, was released by photographer Richard Corman, with an introduction by Cindy Bradley. The book contains photographs of Copeland dancing at sunrise on and around a baby grand piano that washed ashore under the Brooklyn Bridge.
On August 25, 2015, Misty Copeland began playing the role of Ivy Smith in the Broadway revival of On The Town for two weeks, receiving favorable reviews.
In October 2015, A Ballerina's Tale, a documentary film about Misty Copeland, was released in theaters.
In October 2015, Misty Copeland performed on The Late Show with Stephen Colbert accompanied by cellist Yo-Yo Ma, who played "Courante" from Bach's Cello Suite No. 2.
In December 2015, when ABT brought Ratmansky's Nutcracker to Segerstrom Center for the Arts, Misty Copeland reprised the role of Clara.
From 2007 to 2015, Misty Copeland worked as a soloist until she was promoted to principal dancer.
In 2015, Misty Copeland became a brand ambassador for Seiko.
In 2015, Misty Copeland was recognized as one of the 100 most influential people in the world by Time magazine, appearing on its cover. She has also become a public speaker, author, celebrity spokesperson, stage performer, and has endorsed products from various companies.
In January 2016, Copeland reprised the role of Princess Florine in The Sleeping Beauty at the Kennedy Center, choreographed by Ratmansky.
In February 2016, A Ballerina's Tale was aired as part of PBS' Independent Lens series.
In February 2016, Misty Copeland and President Barack Obama were interviewed together in a video series with Time and Essence magazines. The same month, she walked the runway at New York Fashion Week to support the American Heart Association's "Go Red for Women" campaign.
In 2016, Mattel created a Misty Copeland Barbie doll. Later that year, the Dannon Company hired Copeland as a spokesperson for its Oikos brand.
In 2016, Misty Copeland launched another dancewear line, Égal Dance, marketed as inclusive for all body types.
In 2016, Misty Copeland voiced herself on an episode of the animated TV series Peg + Cat, "The Dance Problem/Follow The Bouncing Ball".
In February 2017, Misty Copeland debuted her own collection of activewear for Under Armour. Shortly afterward, she criticized statements by Under Armour's CEO Kevin Plank praising Donald Trump.
In July 2017, Under Armour launched a digital ad campaign featuring Misty Copeland, and at the end of that month she became the spokesperson for an Estée Lauder fragrance.
In 2017, Misty Copeland appeared as a guest artist with La Scala Theatre Ballet when it visited Southern California.
In 2017, Misty Copeland appeared as a guest judge on World of Dance.
In 2017, Misty Copeland released the book Ballerina Body, a health and fitness guide.
In 2018, Misty Copeland danced the lead ballerina role in the Disney film, The Nutcracker and the Four Realms, based on the story "The Nutcracker and the Mouse King".
In 2019, Misty Copeland danced Harlequinade opposite Calvin Royal III, in a rare instance of a black couple dancing together in ballet.
In 2019, Misty Copeland danced with Craig Hall during Taylor Swift's performance of her song "Lover" at the American Music Awards.
In May 2020, Misty Copeland co-founded a fundraiser called Swans for Relief, which compiled videos of 32 ballerinas from 14 countries dancing The Dying Swan, raising funds for COVID-19 relief for the dance community.
In 2020, Misty Copeland performed at the Grammy Awards.
In 2020, Misty Copeland released a children's book, Bunheads.
In 2021, Misty Copeland released Black Ballerinas: My Journey to Our Legacy.
In 2021, Misty Copeland was engaged by Ford to promote the Mustang Mach-E online.
In 2022, Misty Copeland co-founded sports apparel label "Greatness Wins".
In 2022, Misty Copeland founded The Misty Copeland Foundation, which provides after-school programs for children aged 8 to 10, combining ballet training, health and wellness, musicianship, mentoring, and tutoring.
In 2022, Misty Copeland released another memoir, The Wind at My Back: Resilience, Grace, and Other Gifts from My Mentor, Raven Wilkinson, co-written with Susan Fales-Hill.
In 2023, Misty Copeland starred in and co-produced "Flower", a short film about a dance teacher caring for her disabled mother and facing homelessness.
In 2025, Misty Copeland retired from ABT with a gala farewell performance.
To help promote the release of the 2025 film Wicked: For Good, Misty Copeland danced, as Cynthia Erivo sang, in a "reimagined" video version of the song "No Good Deed".
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