Ryuichi Sakamoto was a multi-talented Japanese artist known for his work as a composer, pianist, record producer, and actor. He was widely recognized for his diverse musical styles, both as a solo artist and as a member of the influential electronic music group Yellow Magic Orchestra (YMO). Along with his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto played a crucial role in shaping and popularizing various electronic music genres.
On January 17, 1952, Ryuichi Sakamoto, a highly influential figure in electronic and film music, was born.
Ryuichi Sakamoto married Natsuko Sakamoto in 1972.
Sakamoto's collaborative spirit was evident in 1975 when he teamed up with percussionist Tsuchitori Toshiyuki to release "Disappointment-Hateruma."
Laying the groundwork for a groundbreaking partnership, Sakamoto began working with Haruomi Hosono and Yukihiro Takahashi as a session musician in 1977. This collaboration would soon blossom into the iconic Yellow Magic Orchestra.
July 1978 witnessed the release of Sakamoto's debut solo album, "Thousand Knives of Ryūichi Sakamoto," showcasing his exploration of various musical styles and his innovative use of electronic instruments.
1978 marked a pivotal year for Sakamoto, witnessing his success as a co-founder of the influential electronic music group Yellow Magic Orchestra (YMO) and the release of his debut solo album, "Thousand Knives."
The year 1978 marked the birth of Yellow Magic Orchestra (YMO), a pioneering electronic music group formed by Sakamoto, Hosono, and Takahashi.
In 1979, YMO released "Technopolis," a track that would go on to influence the development of techno music and solidify the band's position as electronic music pioneers.
In 1980, Sakamoto embarked on a long-lasting collaboration with David Sylvian, contributing to Japan's track "Taking Islands in Africa." This year also marked his success with Kiyoshiro Imawano on the chart-topping single "Ikenai Rouge Magic."
In 1980, Sakamoto released "B-2 Unit," an album recognized for its avant-garde sound, particularly the track "Riot in Lagos," which went on to shape the landscape of electro and hip-hop music.
YMO continued to captivate audiences with their innovative sound in 1980, releasing the track "Nice Age."
YMO's live performance of "1000 Knives" in 1980 captivated audiences and further solidified their status as electronic music pioneers.
In 1981, YMO released their album "BGM," which featured a version of "Thousand Knives" that notably incorporated the Roland TR-808 drum machine, marking one of the earliest instances of its use.
Sakamoto's collaborative projects continued in 1982, teaming up with Adrian Belew and Robin Scott for the album "Left-Handed Dream" and further collaborating with David Sylvian on the single "Bamboo Houses/Bamboo Music."
Following his divorce, Ryuichi Sakamoto married pianist and singer Akiko Yano in 1982, after collaborating musically, including touring with the Yellow Magic Orchestra.
In 1982, Melle Mel and Duke Bootee released "Message II (Survival)", a track that incorporated elements of Sakamoto's innovative sound.
In 1983, Ryuichi Sakamoto starred in "Merry Christmas Mr. Lawrence" alongside David Bowie, directed by Nagisa Oshima. He composed the film's score, collaborating with David Sylvian on the theme song, "Forbidden Colours", which became a hit.
Ryuichi Sakamoto began his film composing career in 1983 with "Merry Christmas Mr. Lawrence," in which he also acted. He composed the score, title theme, and the duet "Forbidden Colours" with David Sylvian.
Ryuichi Sakamoto produced Mari Iijima's debut album, "Rosé," in 1983, the same year Yellow Magic Orchestra disbanded.
Sakamoto's creative journey took a new turn in 1983 with his debut as both a film score composer and an actor in "Merry Christmas, Mr. Lawrence." The film's main theme, later adapted into the single "Forbidden Colours," garnered international acclaim.
The year 1983 saw the release of Hashim's influential electro track "Al-Naafyish," further shaping the genre's trajectory.
YMO maintained its creative momentum in 1983, releasing notable tracks like "Ongaku" and "You've Got to Help Yourself."
Ryuichi Sakamoto released his solo album "Ongaku Zukan" in 1984.
Elizabeth Lennard's documentary "Tokyo Melody," focusing on Ryuichi Sakamoto's musical philosophy and creative process, was released in 1985.
Kurt Mantronik's "The Album," released in 1985, drew inspiration from Sakamoto's sonic explorations, further demonstrating his impact on emerging genres.
Ryuichi Sakamoto, David Byrne, and Cong Su won the Academy Award for Best Original Score for Bernardo Bertolucci's "The Last Emperor" in 1987.
Ryuichi Sakamoto received critical acclaim and numerous awards for his score for the film "The Last Emperor" in 1987, including an Academy Award, Golden Globe Award, and Grammy Award.
In 1987, Sakamoto released another solo album titled "Neo Geo".
In 1987, Sakamoto achieved a historic milestone by winning the Academy Award for Best Original Score for "The Last Emperor," making him the first Japanese composer to receive this honor.
Ryuichi Sakamoto received a BAFTA nomination for his work on "The Last Emperor" in 1989.
Sakamoto's solo album "Beauty" was released in 1989.
Ryuichi Sakamoto moved to New York City in 1990, where he primarily resided until 2020.
Ryuichi Sakamoto received his second Golden Globe Award for his score for the film "The Sheltering Sky" in 1990.
Sakamoto's reputation as a film composer continued to grow in 1990 with his work on "The Sheltering Sky," further solidifying his ability to evoke emotions and enhance narratives through music.
Ryuichi Sakamoto composed the score for Pedro Almodóvar's film "High Heels" in 1991.
Sakamoto released "Heartbeat" in 1991, featuring collaborations with various artists.
Sakamoto's talent reached a global stage in 1992 when he was commissioned to compose music for the opening ceremony of the Barcelona Olympics, showcasing his versatility and international appeal.
Ryuichi Sakamoto collaborated with Aztec Camera on their album "Dreamland" in 1993.
Ryuichi Sakamoto's score for the film "Little Buddha" earned him a Grammy Award nomination in 1993.
In a 1993 interview, Roddy Frame of Aztec Camera discussed his experience working with Ryuichi Sakamoto on the "Dreamland" album. Frame highlighted Sakamoto's impressive body of work and their collaborative process in a New York studio.
In 1993, Sakamoto lent his musical talent to "Little Buddha," adding his unique sound to the film's atmosphere.
In 1993, Ryuichi Sakamoto composed music for two films: Bernardo Bertolucci's "The Little Buddha" and Oliver Stone's "Wild Palms."
In 1994, Ryuichi Sakamoto co-produced Imai Miki's album "A Place In The Sun."
In 1994, Sakamoto released "Sweet Revenge", marking another collaborative album with international artists.
Sakamoto explored easy-listening and Latin influences in his 1995 album, "Smoochy".
Sakamoto composed an hour-long orchestral piece titled "Untitled 01" in December 1996.
Ryuichi Sakamoto began producing music for actress Miki Nakatani in 1996, starting with her debut single "Mind Circus." This collaboration continued through 2001.
Ryuichi Sakamoto released the album containing the track "Bibo No Aozora" in 1996. This track was later featured in the film "Babel."
In 1996, Sakamoto released an album featuring rearranged versions of his previous works for solo piano, violin, and cello.
In 1997, Ryuichi Sakamoto and Toshio Iwai's collaborative project "Music Plays Images X Images Play Music" won the prestigious Golden Nica award at the Prix Ars Electronica competition.
The Mitsui ReHouse commercial series, directed by Jun Ichikawa (who would later direct Sakamoto's score for "Tony Takitani"), began airing in 1997 and featured actresses Chizuru Ikewaki and Mao Inoue.
"Untitled 01" was released as the album "Discord" in 1998. The same year saw the release of "Prayer/Salvation Remixes", featuring remixes of tracks from "Discord" by electronic music artists.
Massimo Milano, an Italian ethnomusicologist, published a book about Sakamoto titled "Ryuichi Sakamoto. Conversazioni" in 1998.
Ryuichi Sakamoto composed the scores for two films released in 1998: John Maybury's "Love Is the Devil: Study for a Portrait of Francis Bacon" and Brian De Palma's "Snake Eyes."
Sakamoto's opera, "LIFE", premiered in 1999. The multi-genre, multimedia project involved collaborations with notable figures in various fields.
Sakamoto released the album "BTTB" ("Back to the Basics") in 1999, showcasing original solo piano compositions influenced by Debussy and Satie.
In 1999, Ryuichi Sakamoto composed the score for Nagisa Oshima's film "Gohatto."
Breaking new ground in 1999, Sakamoto's composition "Energy Flow" secured the top spot on Japan's Oricon charts, a historic achievement as the first instrumental track to do so.
Ryuichi Sakamoto's collaborative production work with Miki Nakatani concluded in 2001 after a successful run of singles and albums.
Sakamoto, along with Jaques and Paula Morelenbaum, released "Casa", an album celebrating Antonio Carlos Jobim's work, in 2001.
"Casa" was included in The New York Times's list of top albums of 2002.
Ryuichi Sakamoto composed the score for Brian De Palma's film "Femme Fatale," released in 2002.
Ryuichi Sakamoto's composition "Chinsagu No Hana" from his album "Beauty" was featured in Sue Brooks's film "Japanese Story" in 2003.
Ryuichi Sakamoto released his single "Undercooled" in 2004.
Sakamoto and Alva Noto (Carsten Nicolai) released their debut collaborative album, "Vrioon", in 2004.
Ryuichi Sakamoto composed the score for Jun Ichikawa's film "Tony Takitani" in 2005.
Sakamoto was commissioned by Nokia to compose ringtones for their Nokia 8800 phone in 2005.
The duo released their second album, "Insen", in 2005.
Ryuichi Sakamoto's second marriage to Akiko Yano ended in August 2006, although they had lived separately for 14 years prior.
Ryuichi Sakamoto's composition "Bibo No Aozora" was featured in Alejandro González Iñárritu's film "Babel" in 2006.
Ryuichi Sakamoto contributed several pieces of music, including the closing theme "Bibo no Aozora," to the soundtrack of the film "Babel," which won an Academy Award in 2006.
Nokia made the ringtones composed by Sakamoto available for free on their website in 2006.
In 2006, Ryuichi Sakamoto partnered with Avex Group to establish Commmons, a record label intended to challenge conventional music production practices. Commmons aimed to empower artists and create a more equitable and collaborative industry.
In 2007, the enduring influence of "Riot in Lagos" was highlighted by its inclusion on Playgroup's compilation album "Kings of Electro," cementing its place among pivotal electro compositions.
Sakamoto, Hosono, and Takahashi, the members of Yellow Magic Orchestra (YMO), reunited and released the single "Rescue" in 2007.
The art installation "LIFE - fluid, invisible, inaudible...", a collaboration between Sakamoto and Shiro Takatani, was launched in 2007.
The visual and sound elements of "LIFE" were deconstructed in 2007 to create an art installation.
Sakamoto and Nicolai continued their collaboration, releasing "utp_" in 2008.
YMO released the DVD "HAS/YMO" in 2008.
Sakamoto was honored as an Officier of the Ordre des Arts et des Lettres at the French embassy in Tokyo in July 2009.
In 2009, Ryuichi Sakamoto publicly criticized copyright law, arguing that it was outdated in the information age and that it primarily benefited large corporations at the expense of artists and fans.
In recognition of his significant contributions to the world of music, Sakamoto was honored with the Ordre des Arts et des Lettres by the French Ministry of Culture in 2009.
In recognition of his significant musical contributions, Ryuichi Sakamoto was honored with the Ordre des Arts et des Lettres by France's Ministry of Culture in 2009.
"Summvs", another collaborative album by Sakamoto and Nicolai, was released in 2011.
Underscoring the lasting impact of "Riot in Lagos," The Guardian recognized the track in 2011 as one of the 50 key events in the history of dance music.
In 2012, Sakamoto and Takatani presented their work "collapsed and silence spins" at the Museum of Contemporary Art Tokyo.
In 2012, Ryuichi Sakamoto organized the "No Nukes 2012" concert, featuring 18 groups, including Yellow Magic Orchestra and Kraftwerk, as part of his anti-nuclear activism.
On April 14, 2013, Sakamoto participated in a performance paying tribute to Nam June Paik.
Ryuichi Sakamoto was honored with the Golden Pine Award for Lifetime Achievement at the International Samobor Film Music Festival in 2013, alongside Clint Eastwood and Gerald Fried.
Sakamoto served as a jury member for the 70th Venice International Film Festival in 2013.
The year 2013 saw Sakamoto involved in several projects, including "LIFE-WELL" and the Sharjah Biennial in the United Arab Emirates.
Ryuichi Sakamoto was diagnosed with oropharyngeal cancer in June 2014 and took a year-long hiatus from his work.
A special version of "LIFE-WELL" was presented for the 20th anniversary of Park Hyatt Tokyo in 2014.
Sakamoto became the first guest artistic director for the Sapporo International Art Festival 2014 (SIAF2014).
On August 3, 2015, Sakamoto shared an update on his health after a cancer diagnosis, stating that he was recovering well and looking forward to returning to work, including composing music for the film "Living with My Mother".
After undergoing treatment for cancer, Ryuichi Sakamoto returned to work in 2015, expressing improved health but acknowledging the possibility of the disease returning.
In 2015, Ryuichi Sakamoto showed his support for the opposition to the relocation of Marine Corps Air Station Futenma in Okinawa by releasing a new version of his single "Undercooled." The sales of the single partially funded the "Henoko Fund" aimed at stopping the base relocation.
Ryuichi Sakamoto collaborated with Alejandro González Iñárritu to compose the score for the film "The Revenant," starring Leonardo DiCaprio and Tom Hardy, in 2015.
Ryuichi Sakamoto received a Golden Globe nomination, a BAFTA nomination, and won the Best Musical Score award from the Dallas–Fort Worth Film Critics Association for his work on the film "The Revenant" in 2015.
Sakamoto composed music for the performance "LIFE-WELL", featuring Mansai Nomura, and for Shiro Takatani's performance "ST/LL" in 2015.
Sakamoto's work on the critically acclaimed film "The Revenant" in 2015 showcased his ability to create evocative and haunting scores that perfectly complemented the film's themes.
In 2016, Sakamoto reminisced about his experience acting in "Merry Christmas Mr. Lawrence", sharing that he and Bowie spent time together every evening during the month-long shoot. He fondly described Bowie as "straightforward" and "nice".
In January 2017, it was announced that Ryuichi Sakamoto would release a new solo album in April.
On March 29, 2017, Ryuichi Sakamoto released his solo album, "async," which was met with critical acclaim.
April 2017 was the scheduled release month for Ryuichi Sakamoto's album "async," although it was ultimately released in March.
Ryuichi Sakamoto was selected to be a jury member for the main competition section of the 68th Berlin International Film Festival in February 2018.
The documentary about Ryuichi Sakamoto's life and work, "Ryuichi Sakamoto: Coda," was released on June 14, 2018. The film explores his recovery from cancer, his return to music creation, his protests against nuclear power, and his creative process.
In 2020, Ryuichi Sakamoto returned to Tokyo after living in New York City for an extended period.
Ryuichi Sakamoto composed the score for Andrew Levitas's film "Minamata," starring Johnny Depp, Minami, and Bill Nighy, which was released in 2020.
On January 21, 2021, Ryuichi Sakamoto shared a letter on his website announcing that he was diagnosed with rectal cancer and was undergoing treatment after successful surgery. Despite this, he expressed his hope to continue making music.
In 2021, Ryuichi Sakamoto was an associate artist at the Holland Festival in Amsterdam. He premiered "TIME," his final collaboration with Shiro Takatani, described as a "wordless opera."
Ryuichi Sakamoto joined the Japanese collective Dumb Type in 2022 and contributed to their installation "2022" at the 59th International Art Exhibition – La Biennale di Venezia.
In March 2023, shortly before his death, Ryuichi Sakamoto sent a letter to Tokyo Governor Yuriko Koike expressing his concerns about the planned redevelopment of the Jingūmae neighborhood, urging a suspension and review due to potential environmental impacts.
On March 28, 2023, the world mourned the loss of musical genius Ryuichi Sakamoto.
Agust D (Suga of BTS) released the song "Snooze" on April 24, 2023, featuring Ryuichi Sakamoto on keyboards as a tribute to the late musician.
Ryuichi Sakamoto's final film score was for Hirokazu Kore-eda's "Monster," released in 2023. The film is dedicated to his memory.