How Wifredo Lam built a successful career. Explore key moments that defined the journey.
Wifredo Lam was a Cuban artist who aimed to represent and revitalize Afro-Cuban culture. He developed a unique style characterized by hybrid figures, influenced by artists like Picasso and Matisse. While primarily a painter, Lam also explored sculpture, ceramics, and printmaking later in his career. His distinctive visual style significantly influenced other artists.
In 1923, Lam began studying in Madrid under Fernando Álvarez de Sotomayor y Zaragoza, curator of the Museo del Prado, and spent his evenings working alongside young, nonconformist painters. He also discovered the work of Hieronymus Bosch and Pieter Bruegel I at the Prado.
In 1936, at the outbreak of the Spanish Civil War, Lam sided with the Republicans and used his talent to fashion Republican posters and propaganda.
In 1938, Lam moved to Paris and gained the support of Picasso, who introduced him to leading artists. In the same year, he traveled to Mexico and stayed with Frida Kahlo and Diego Rivera.
In 1938, Lam produced works with emotional intensity and a stronger African influence, seen in the figures' angular outlines and synthesis of bodies. The subject matter ranged from interacting couples to women in despair.
In 1939, Pierre Loeb gave Lam his first exhibition at the Galerie Pierre Loeb, which received an enthusiastic response from critics. Lam and Picasso also exhibited their work together at the Perls Galleries in New York in the same year.
In 1943, Lam began his best-known work, The Jungle. It reflected his mature style, depicting four figures with mask-like heads, half-emerging from dense tropical vegetation.
In 1950, Lam worked with René Portocarrero and others on ceramic in the village of Santiago de Las Vegas.
In 1955, Lam exhibited a series of paintings at Havana University to demonstrate his support for the students' protests against Batista's dictatorship.
In 1960, Lam established a studio in Albissola Marina on Italy's northwest coast and settled there with his wife Lou Laurin and their three sons.
In 1962, Lam's A Trois Centimetres de la Terre was painted. It was later sold for a record price.
In 1965, six years after the revolution, Lam showed his loyalty to Castro and his goals of social and economic equality by painting El Tercer Mundo (The Third World) for the presidential palace.
Between 1966 and 1967, there were many retrospectives of Lam's work throughout Europe.
Between 1966 and 1967, there were many retrospectives of Lam's work throughout Europe.
In 1975, at the encouragement of Asger Jorn and after being intrigued by the local pottery-making, Lam had his first ceramic exhibition.
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