Andy Warhol, a prominent American visual artist, film director, and producer, played a key role in the pop art movement. Recognized as a significant figure in 20th-century American art, Warhol's work delves into the interplay between art, advertising, and celebrity culture prevalent in the 1960s. His diverse creations, encompassing painting, silkscreening, photography, film, and sculpture, include iconic pieces like "Campbell's Soup Cans" and "Marilyn Diptych," experimental films "Empire" and "Chelsea Girls," and the multimedia happenings "Exploding Plastic Inevitable."
Andy Warhol's father emigrated to the United States in 1914 from Austria-Hungary.
In 1921, following the death of Warhol's grandparents, his mother joined her husband in the United States.
Andy Warhol was born on August 6, 1928, in Pittsburgh, Pennsylvania.
Andy Warhol's father, Ondrej Warhola (Americanized as Andrew Warhola Sr.), passed away in 1942.
Andy Warhol graduated from Schenley High School in 1945 and won a Scholastic Art and Writing Award, showcasing his early artistic talent.
In 1948, while studying at Carnegie Institute of Technology, one of Andy Warhol's artworks was featured as an illustration on the cover of the student art magazine "Cano".
After earning a Bachelor of Fine Arts degree in pictorial design from Carnegie Institute of Technology in 1949, Andy Warhol relocated to New York City to pursue a career in magazine illustration and advertising.
In 1949, Andy Warhol received his first art commission to draw shoes for Glamour magazine, marking the beginning of his commercial art career.
Art dealer Alexander Iolas recognized Andy Warhol's talent and organized his debut solo exhibition at the Hugo Gallery in New York in 1952.
Andy Warhol's foray into self-publishing began in 1954 with the release of his book, "25 Cats Name Sam and One Blue Pussy." This book, printed by Seymour Berlin, featured Warhol's signature blotted line technique and hand-coloring, showcasing his artistic talent and marking an early step in his creative journey.
Andy Warhol's book, "A La Recherche du Shoe Perdu," published in 1955, marked a pivotal moment in his artistic career, signifying his transition from commercial art to the gallery scene. The title itself, a playful twist on Marcel Proust's "À la recherche du temps perdu," hinted at Warhol's developing artistic sensibilities and his engagement with literary themes.
Around 1956, Andy Warhol began collaborating with photographer Edward Wallowitch, using his photographs as a basis for his artwork, demonstrating early exploration of mixed media and appropriation.
In 1956, Andy Warhol's artwork was featured in his first group exhibition at the Museum of Modern Art in New York. He also embarked on international travels with Charles Lisanby to explore art and culture in different countries.
Andy Warhol's unique ink drawings of shoe advertisements were showcased in an exhibition at the Bodley Gallery in New York in 1957.
In 1958, Andy Warhol used a photograph taken by Edward Wallowitch for a book cover design he submitted to Simon and Schuster, further showcasing his artistic process and use of photography in his work.
In 1960, Andy Warhol acquired a drawing of a light bulb by artist Jasper Johns, demonstrating Warhol's interest in and support of contemporary art. This purchase exemplified Warhol's engagement with the art world as both a participant and a collector.
In 1960, Andy Warhol underwent hospital treatment for condylomata, a sexually transmitted disease. This event offers a glimpse into Warhol's personal life and health challenges during this period.
Andy Warhol's foray into pop art began in April 1961 when his paintings were showcased in the window display of Bonwit Teller, a New York Department Store. This marked a significant step in his career, aligning him with other prominent pop art figures.
On November 23, 1961, Andy Warhol compensated gallerist Muriel Latow for her ideas that led to the creation of his iconic soup can and dollar paintings, highlighting the collaborative spirit and innovative thinking behind his renowned works.
In 1961, Andy Warhol purchased a townhouse at 1342 Lexington Avenue in Carnegie Hill, New York City, which served as both his residence and art studio, marking a significant step in his artistic career.
In May 1962, Andy Warhol and his painting "Big Campbell's Soup Can with Can Opener (Vegetable)" were featured in Time magazine, signifying his rising fame in the art world.
Andy Warhol's pop art made its West Coast debut on July 9, 1962, at the Ferus Gallery in Los Angeles with an exhibition featuring his renowned Campbell's Soup Cans series.
July 1962 marked a significant milestone for Andy Warhol as his painting was exhibited at the Wadsworth Atheneum in Hartford, his first museum exhibition.
Andy Warhol held an exhibition at Eleanor Ward's Stable Gallery in New York in November 1962, showcasing notable works like "Gold Marilyn" and "Marilyn Diptych." During the exhibit, he connected with poet John Giorno, who would later feature in Warhol's debut film, "Sleep" (1964).
The Museum of Modern Art in New York City hosted a symposium on pop art in December 1962, where artists like Andy Warhol faced criticism for their perceived embrace of consumerism, sparking debate and controversy.
Andy Warhol learned the techniques of silkscreen printing from Max Arthur Cohn at his graphic arts business in Manhattan in 1962, a pivotal development that significantly influenced his artistic style.
Warhol's attendance at the 1962 premiere of La Monte Young's "Trio for Strings" sparked inspiration for his renowned series of static films, marking a pivotal moment in his artistic journey.
The year 1962 witnessed the emergence of Andy Warhol's celebrated Marilyn series, featuring captivating portraits of Marilyn Monroe. Among them, the Flavor Marilyns, named after Life Savers candy flavors, exemplified Warhol's ability to merge pop culture with artistic expression.
In 1962, Emily and Burton Tremaine emerged as early collectors and influential supporters of Andy Warhol's work, acquiring significant pieces like "Marilyn Diptych" and "A boy for Meg" directly from his studio.
In 1962, Andy Warhol initiated his thought-provoking Death and Disaster series, which spanned into 1963. This series showcased his artistic versatility, exploring somber themes of mortality and tragedy while employing his signature techniques of silkscreens, serial reproduction, and vivid colors.
In 1962, Andy Warhol created two of his most recognizable works - Campbell's Soup Cans and Marilyn Diptych, solidifying his position in the Pop Art movement.
Created in 1962, Andy Warhol's Marilyn "Flavors" series featured portraits of Marilyn Monroe inspired by Life Savers candy flavors like Cherry, Lemon, and Licorice. These portraits, along with others identified by their background colors, became iconic representations of Warhol's pop art style.
Andy Warhol created the iconic artwork, "Silver Car Crash (Double Disaster)", in 1963.
Andy Warhol embarked on his filmmaking journey in 1963, creating over 60 films and numerous "screen test" portraits that captured the essence of the Factory scene.
In 1963, Andy Warhol rented his first dedicated art studio in an old firehouse, where he produced iconic pieces like the Elvis series and Elizabeth Taylor portraits. This period marked a significant step in his career, culminating in his move to a new studio on East 47th Street, which would later become the famed Factory.
Warhol's second exhibition at the Stable Gallery in 1964 featured sculptures made from commercially branded boxes, blurring the lines between consumerism and art. The exhibition showcased his innovative approach to artmaking and further solidified his association with Pop Art.
Warhol released several experimental films in 1964, including "Sleep," which documents a man sleeping for six hours, "Blow Job," known for its suggestive theme, "Empire," an eight-hour footage of the Empire State Building, and "Eat," featuring a man consuming a mushroom for 45 minutes.
In 1964, Warhol produced and directed "Batman Dracula," an unauthorized homage to the Batman series, without the consent of DC Comics. The film was screened exclusively at Warhol's art exhibitions.
Warhol participated in "The American Supermarket" exhibition in 1964, a groundbreaking event that presented a supermarket environment filled with artworks, including Warhol's iconic Campbell's Soup cans. This exhibition challenged traditional notions of art and engaged the public in a novel way.
Andy Warhol, known for his avant-garde approach, released his first film, "Sleep," in 1964, starring John Giorno.
Andy Warhol created his iconic "Self-Portrait, 1964," which was later featured on a US postage stamp in 2002.
Andy Warhol's venture into album cover design began in 1964 with the photographic cover he created for John Wallowitch's debut album, "This Is John Wallowitch!!!" This marked the start of Warhol's contributions to the visual identity of music.
Andy Warhol created the iconic "Shot Sage Blue Marilyn" in 1964, which later became one of the most expensive artworks by an American artist.
Andy Warhol released his experimental film "Empire" in 1964, showcasing his innovative approach to filmmaking.
Warhol's 1965 film "Vinyl" offered a unique adaptation of Anthony Burgess's dystopian novel "A Clockwork Orange." During this period, he also created films showcasing improvised encounters among Factory regulars like Brigid Berlin, Viva, Edie Sedgwick, and others, providing a raw and unfiltered glimpse into their world.
1966 marked the release of Andy Warhol's experimental film "Chelsea Girls" and the launch of his multimedia happening, The Exploding Plastic Inevitable, further pushing the boundaries of art and performance.
Andy Warhol's experimental film "The Chelsea Girls" premiered in 1966, offering a glimpse into the lives of residents at New York City's Chelsea Hotel. This film was included in the "Andy Warhol: Revelation" exhibition, showcasing Warhol's diverse artistic endeavors.
In 1966, Andy Warhol released what would become his most popular and critically acclaimed film, "Chelsea Girls." This film was notable for its innovative use of two simultaneously projected 16mm films, each presenting a different story. The sound was manipulated from the projection booth, amplifying one film's audio while lowering the other's, creating a unique audio-visual experience.
In 1966, Andy Warhol, acting as manager for the Velvet Underground, played a pivotal role in the release of their debut album, "The Velvet Underground & Nico." Warhol's involvement included introducing the band to Nico, who became a prominent vocalist on the album. He also financed the recording and provided the album's artwork, although his direct involvement in the production was limited to providing studio time.
Expanding his artistic endeavors, Warhol established Factory Additions in 1967 as a dedicated space for printmaking and publishing, further solidifying his multifaceted career in the art world.
Mary Wells Lawrence, a prominent figure in advertising, was responsible for representing Braniff Airways in 1967. At the time, she was married to Harding Lawrence, the chairman and president of Braniff.
On June 3, 1968, Warhol was critically wounded in a shooting at The Factory by Valerie Solanas. This event, a shocking intersection of art and violence, had a lasting impact on Warhol and the atmosphere at The Factory.
In a tragic event in June 1968, Andy Warhol was shot and nearly killed by radical feminist Valerie Solanas inside his studio.
Lois Holland Calloway, the advertising agency that later featured Andy Warhol in Braniff commercials, took over representation of Braniff International Airways from the Wells Rich Greene Agency on December 1, 1968.
After an intense period of creativity, 1968 marked the end of Andy Warhol's prolific filmmaking phase, during which he produced a significant body of experimental work.
Following the 1968 shooting of Andy Warhol, a significant shift occurred within the Factory collective's filmmaking practices. Paul Morrissey, Warhol's assistant director, assumed the primary filmmaking responsibilities. Under Morrissey's direction, Warhol-branded cinema transitioned towards more mainstream, narrative-driven B-movie exploitation films like "Flesh," "Trash," and "Heat." This marked a departure from Warhol's previous directorial style.
Lou Reed, inspired by the shooting of Andy Warhol in 1968, penned the song "Andy's Chest" about the incident and Valerie Solanas, the woman who shot him.
In 1969, Warhol, alongside John Wilcock, founded Interview Magazine, a publication that would become known for its focus on celebrity interviews and coverage of fashion, film, and popular culture.
The 2012 film "Men in Black 3" features a scene set in 1969 where MIB Agents K and J encounter Andy Warhol at a party he is hosting at The Factory.
Andy Warhol appeared in two television commercials for Braniff International Airways in early 1969. The commercials, part of the airline's "When You Got It – Flaunt It" campaign, were created by advertising agency Lois Holland Calloway, led by George Lois.
Following his initial commercials for Braniff International Airways, Andy Warhol appeared in two more commercials for the airline in the summer of 1969. These commercials, also produced by Lois Holland Calloway, featured celebrities boarding a Braniff jet.
In 1970, a disagreement with studio employees led to the unauthorized production of Andy Warhol screenprints under the name "Sunday B Morning," causing controversy over authenticity and ownership.
Warhol's influence in the art world was solidified with a major retrospective of his work at the Pasadena Art Museum in 1970. This exhibition, which traveled internationally, cemented his status as a leading figure in the Pop Art movement.
David Bowie paid tribute to Andy Warhol in 1971 by releasing a song named after him on his album "Hunky Dory".
In 1971, Andy Warhol designed the iconic cover art for The Rolling Stones' album "Sticky Fingers." This collaboration solidified Warhol's status as a prominent figure in both the art and music worlds.
In 1971, Warhol and Paul Morrissey purchased Eothen, a grand estate in Montauk, New York. Known for hosting extravagant gatherings, Eothen became a hub for prominent figures in art, music, and film, showcasing Warhol's growing social circle.
In 1971, Warhol's retrospective reached prestigious institutions like the Tate Gallery in London and the Whitney Museum of American Art in New York. This year also marked his foray into theater with his first and only production, "Andy Warhol's Pork."
Warhol's artistic contributions extended to designing the album cover for John Cale's 1972 album, "The Academy in Peril," showcasing his continued involvement with musicians from his time managing the Velvet Underground.
Warhol's work was featured in the inaugural exhibition of the Art Museum of South Texas in 1972. During this period, he also created a series of portraits of Mao Zedong, further demonstrating his interest in exploring political and cultural icons through his art.
In 1972, Lou Reed and John Cale, key members of the Velvet Underground, went their separate ways musically, marking a pause in their collaborative efforts.
Andy Warhol's mother, Julia Warhola, passed away in 1972.
Reflecting his growing international presence, Warhol purchased an apartment in Paris in 1973, located on the city's Left Bank. This move highlighted his deep appreciation for Parisian culture and his desire to immerse himself in the city's art scene.
Warhol continued his exploration of political portraiture in 1973, further developing his series of portraits featuring Chinese Communist leader Mao Zedong.
In 1974, Warhol and his partner, Jed Johnson, relocated to a townhouse in Manhattan's Lenox Hill neighborhood, marking a shift toward a more established and upscale lifestyle.
Andy Warhol published his book, "The Philosophy of Andy Warhol: From A to B and Back Again" in 1975, exploring his unique perspective on art, fame, and life. This book later became the inspiration for unreleased music by Lou Reed, discovered years later.
Warhol's thoughts on art, commerce, and fame were captured in his 1975 book, "The Philosophy of Andy Warhol". This publication provided insights into his artistic process and his perspective on the intersection of art and business.
In a unique collaboration, Warhol and painter Jamie Wyeth were commissioned to create portraits of each other in 1976. This exchange showcased Warhol's willingness to engage with other artists and explore different approaches to portraiture.
Warhol's artistic contributions extended to the political sphere when he attended a reception honoring artists who supported Jimmy Carter's presidential campaign in June 1977. This event highlighted his engagement with contemporary political events.
In December 1977, Andy Warhol began his series of "Oxidation" paintings, known for their unique creation process involving urine. Warhol, along with assistants referred to as "ghost pissers," used urine to oxidize copper-based paint, resulting in abstract and unconventional artworks.
Andy Warhol continued his artistic partnership with The Rolling Stones by designing the cover art for their 1977 live album, "Love You Live."
The opening of Studio 54 in 1977 marked a new era for Warhol, exposing him to the excesses of New York nightlife. This period influenced his "Torsos and Sex Parts" series, a collection of nude photographs exploring themes of sexuality and desire.
Andy Warhol's association with the BMW Art Car project began in 1978 when he was approached to paint a BMW 320i. Although the car model was later changed, this marked the start of his influential contribution to this renowned art initiative.
In November 1979, the Whitney Museum of American Art presented "Andy Warhol: Portraits of the '70s." This exhibition, while highlighting Warhol's focus on celebrity portraiture, drew criticism from those who found his approach superficial and overly commercial.
In 1979, Andy Warhol made his mark on the automotive world by painting a BMW M1 Group 4 race car for the BMW Art Car project. His direct and expressive style, completing the artwork in a mere 23 minutes, made him a pioneer in this unique art form.
Warhol co-founded the New York Academy of Art in 1979, demonstrating his commitment to fostering emerging artistic talent. He also established Andy Warhol Books and published "Exposures," a collection of photographs capturing his celebrity social circle.
Andy Warhol made a cameo appearance as himself in the film "Cocaine Cowboys" in 1979.
Warhol's 1980 exhibition, "Ten Portraits of Jews of the Twentieth Century" at the Jewish Museum, sparked controversy and furthered criticism of his work as overly commercial. Despite the initial backlash, some critics later acknowledged his ability to capture the zeitgeist of American culture in the 1970s.
In a 1980 interview, Andy Warhol, who lived as a gay man before the gay liberation movement gained momentum, made a statement about his sexuality, claiming to be a virgin. While this statement has been subject to debate and speculation, with some friends and associates suggesting otherwise, it contributed to the complexities surrounding Warhol's personal life and public persona.
Andy Warhol collaborated with John Cale once again in 1981, providing the artwork for Cale's album "Honi Soit."
Warhol collaborated with Peter Sellars and Lewis Allen on "A No Man Show" in 1981, a project featuring a life-sized robot replica of Warhol reciting his diaries. This innovative project highlighted Warhol's fascination with technology and its potential to blur the lines between reality and artifice.
Andy Warhol appeared as himself in the comedy film "Tootsie" in 1982.
Andy Warhol's 1982 portrait of fellow artist Jean-Michel Basquiat exemplified his experimentation with different mediums. This silkscreen over an oxidized copper "piss painting" demonstrated Warhol's ability to blend portraiture with his unconventional techniques.
The year 1983 marked the start of a significant artistic partnership between Andy Warhol, Jean-Michel Basquiat, and Francesco Clemente. Their collaborations, which continued until 1985, resulted in a series of over 50 large-scale works, showcasing their unique styles and artistic synergy.
In 1984, Andy Warhol, a practicing Ruthenian Catholic, created a series of works entitled "Details of Renaissance Paintings." This series reflected Warhol's exploration of religious themes in his art, often juxtaposing classical imagery with his signature pop art style.
Vanity Fair commissioned Andy Warhol in 1984 to create a portrait of Prince for an article celebrating the success of "Purple Rain." Warhol's "Orange Prince" (1984) drew inspiration from his earlier celebrity portraits, particularly the Marilyn "Flavors" series from 1962.
The band Triumph released their song "Stranger In A Strange Land", a tribute to Andy Warhol, on their album "Thunder Seven" in 1984.
From 1984 to 1985, Andy Warhol and Jean-Michel Basquiat engaged in a prolific artistic collaboration, producing a remarkable collection of over 50 large-scale works. Despite initial criticism, these pieces, some of which Warhol considered "masterpieces," significantly influenced his later artistic direction.
In 1984, Andy Warhol was commissioned by art collector and gallerist Alexander Iolas to create a series of works inspired by Leonardo da Vinci's "The Last Supper." This project led to the creation of nearly 100 variations on the theme, including silkscreens, paintings, and a collaborative sculpture with Jean-Michel Basquiat titled "Ten Punching Bags (Last Supper)."
Expanding his artistic horizons, Andy Warhol co-directed the music video for The Cars' song "Hello Again" in 1984. He also made a memorable appearance in the video as a bartender, showcasing his willingness to embrace new mediums and collaborate across artistic disciplines.
Before the 1984 Sarajevo Winter Olympics, Andy Warhol collaborated with 15 other artists, including David Hockney and Cy Twombly, to create the Art and Sport collection. Warhol's contribution, "Speed Skater," was featured on the official Sarajevo Winter Olympics poster.
September 1985 marked a period of mixed reviews for Andy Warhol. His joint exhibition with Jean-Michel Basquiat, "Paintings," at the Tony Shafrazi Gallery received negative feedback. Despite Warhol's apprehension, his "Reigning Queens" silkscreen series, initially intended for a European audience, was shown at the Leo Castelli Gallery, a decision which also garnered unfavorable criticism.
In 1985, an incident occurred involving Andy Warhol's prized wig collection. A girl snatched Warhol's wig off his head, an event that deeply troubled the artist, as evidenced by a diary entry he made that day. The incident highlighted Warhol's eccentricities and the value he placed on his carefully crafted image.
The Velvet Underground released their song "Andy's Chest", written by Lou Reed about the 1968 shooting of Andy Warhol, on their album "VU" in 1985.
The year 1985 marked the end of the fruitful artistic partnership between Andy Warhol and Jean-Michel Basquiat. Their collaborative series, produced between 1984 and 1985, yielded over 50 large-scale works that left a lasting impact on the art world.
Ron Levin, a friend of Andy Warhol, was murdered in 1986. This event serves as a backdrop for the 2017 film "The Billionaire Boys Club," which features Cary Elwes as Warhol.
In one of his final artistic endeavors, Andy Warhol created a portrait of Aretha Franklin for the cover of her 1986 gold album, "Aretha." This final contribution to album art cemented Warhol's legacy as a visual artist who had a significant impact on the music industry.
In 1986, Andy Warhol continued his foray into music videos by co-directing the video for Curiosity Killed the Cat's song "Misfit." Warhol's involvement in the project also included a cameo appearance.
Continuing his exploration of religious themes, Andy Warhol created "The Last Supper" series in 1986. This series, created towards the end of his life, offered a thought-provoking interpretation of the iconic biblical scene through Warhol's unique artistic lens.
Andy Warhol produced his iconic "Last Supper" series in 1986, exploring religious themes and imagery. This series was later featured in the "Andy Warhol: Revelation" exhibition at the Brooklyn Museum.
In January 1987, Andy Warhol traveled to Milan for the opening of his final exhibition, "Last Supper," at the Palazzo delle Stelline. This exhibition showcased Warhol's interpretations of Leonardo da Vinci's iconic masterpiece.
January 1987 marked the opening of Andy Warhol's final exhibition, showcasing his interpretations of "The Last Supper." Held at the Palazzo delle Stelline in Milan, this exhibition featured 22 of his silkscreens and became a significant event in his artistic career.
Shortly before his death, on February 17, 1987, Andy Warhol participated in a Koshin Satoh fashion show at the Tunnel in New York City, modeling alongside jazz musician Miles Davis.
After gallbladder surgery, Andy Warhol died of cardiac arrhythmia on February 22, 1987, in New York at the age of 58.
Andy Warhol's funeral took place on February 27, 1987, at the Holy Ghost Byzantine Catholic Church in Pittsburgh. Following a liturgy and eulogy, he was buried at St. John the Baptist Byzantine Catholic Cemetery.
A memorial service for Andy Warhol was held at St. Patrick's Cathedral in Manhattan on April 1, 1987, honoring his life and legacy within the art world.
The Andy Warhol Foundation for the Visual Arts was founded in 1987, following the provisions outlined in Andy Warhol's will. While serving as the administrator of Warhol's estate, the foundation's core mission is to champion innovative artistic expression and support experimental and challenging artwork.
The Andy Warhol Foundation for the Visual Arts was established in 1987, marking the beginning of its work in supporting innovative art and managing Warhol's estate. This year serves as a significant point of reference for the foundation's 20th Anniversary Annual Report.
In 1987, a facsimile printing of Andy Warhol's book, "25 Cats Name Sam and One Blue Pussy," was produced using a copy originally gifted to Geraldine Stutz. This facsimile edition allowed a wider audience to appreciate Warhol's early work.
Following Andy Warhol's death in 1987, the value of his artwork embarked on a generally upward trajectory, significantly impacting the global art market.
In 1988, a Sotheby's auction catalog, "The Andy Warhol Collection," revealed 139 titles from Warhol's extensive book collection, showcasing his diverse interests and including books by and about his acquaintances.
Victor Bockris released his biography of Andy Warhol, "The Life and Death of Andy Warhol", in 1989.
Years after their artistic partnership dissolved and following Warhol's death in 1989, Lou Reed and John Cale reunited musically. Their collaboration resulted in the creation, performance, and release of "Songs for Drella," a poignant concept album dedicated to celebrating the life and legacy of Andy Warhol.
Bob Colacello, a former editor of Interview magazine, published his book about Andy Warhol, "Holy Terror: Andy Warhol Close Up", in 1990.
Actor Crispin Glover played the role of Andy Warhol in Oliver Stone's biographical film "The Doors" in 1991, which chronicled the life of Jim Morrison and the band The Doors.
Two separate films released in 1996 featured portrayals of Andy Warhol. Jared Harris played Warhol in Mary Harron's film "I Shot Andy Warhol," while David Bowie took on the role in Julian Schnabel's film "Basquiat."
The year 1997 saw Andy Warhol featured in both the opera and film worlds. Michael Daugherty's opera "Jackie O" included Warhol as a character, while actor Mark Bringleson made a brief appearance as Warhol in the comedy film "Austin Powers: International Man of Mystery."
Sean Gregory Sullivan portrayed Andy Warhol in the film "54" in 1998, which revolved around New York City's famed Studio 54 nightclub.
In 1998, "Orange Marilyn" (1964), Warhol's iconic depiction of Marilyn Monroe, fetched $17.3 million, setting a new record for the highest price paid for one of his artworks.
In 1998, Andy Warhol's former townhouse on the Upper East Side of Manhattan was officially recognized as a cultural landmark by the Historical Landmarks Preservation Center, marking the 70th anniversary of his birth.
The US Postal Service released an 18-cent stamp in 2002 to honor Andy Warhol. The stamp, designed by Richard Sheaff, featured Warhol's "Self-Portrait, 1964" and was unveiled at The Andy Warhol Museum.
Victor Bockris expanded and republished his biography of Andy Warhol as "Warhol: The Biography" in 2003, coinciding with the 75th anniversary of Warhol's birth.
In 2005, after more than 30 years, Andy Warhol's film "Blue Movie" was publicly screened in New York City. The film, featuring Warhol superstars Viva and Louis Waldon, was considered controversial upon its initial release for its explicit portrayal of a sexual encounter. This screening marked a significant moment in recognizing the film's place within the Golden Age of Porn.
In May 2006, an original copy of Andy Warhol's self-published book, "25 Cats Name Sam and One Blue Pussy," fetched a significant price of US$35,000 at an auction held by Doyle New York. The book, notable for its limited-edition status and hand-colored lithographs, exemplified Warhol's early artistic endeavors.
Scenes from Warhol's long-lost film "Batman Dracula" resurfaced in the 2006 documentary "Jack Smith and the Destruction of Atlantis," offering a glimpse into this rare and unauthorized work.
May 2007 witnessed remarkable sales of Andy Warhol's artwork: "Green Car Crash" (1963) for $71.1 million and "Lemon Marilyn" (1962) for $28 million at Christie's, reflecting his enduring legacy in the art world.
Hugh Grant, the actor, sold Warhol's 1963 painting "Liz (Colored Liz)" for $23.7 million at Christie's in 2007, marking a significant moment in Warhol's art market presence.
The Andy Warhol Foundation published a comprehensive three-volume set for its 20th Anniversary Annual Report in 2007. The volumes covered the period from 1987 to 2007, encompassing grants, exhibitions, and the foundation's legacy program.
Guy Pearce played the role of Andy Warhol in the 2007 film "Factory Girl," which focused on the life and experiences of Edie Sedgwick, a prominent figure in Warhol's Factory scene.
In 2008, Warhol's "Eight Elvises" (1963), a captivating depiction of Elvis Presley, was acquired by a private collector for a staggering $100 million, setting a new benchmark in the art market.
In November 2009, Warhol's 1962 artwork, "200 One Dollar Bills," was sold for an impressive $43.8 million at a Sotheby's auction, further cementing his status in the art market.
Greg Travis made a brief appearance as Andy Warhol in a scene from the superhero film "Watchmen" in 2009.
Published in 2009, the biography "Pop, The Genius of Warhol" provided insights into Warhol's life and artistic journey, shedding light on key moments like his collaboration with Muriel Latow and his inspiration for the soup can series.
A 1986 purple self-portrait by Warhol, formerly owned by fashion designer Tom Ford, was auctioned for $32.6 million at Sotheby's in May 2010.
November 2010 saw notable sales of Warhol's works: "Men in Her Life" (1962) for $63.4 million at Phillips de Pury and "Coca-Cola (4)" (1962) for $35.3 million at Sotheby's, reflecting his continued influence on the art market.
A chrome statue depicting Andy Warhol with his Polaroid camera was unveiled in New York City's Union Square in March 2011.
In May 2011, Warhol's self-portraits garnered significant attention, with his first from 1963-1964 selling for $38.4 million and a red one from 1986 for $27.5 million at Christie's. Additionally, "Liz No. 5 (Early Colored Liz)" fetched $26.9 million at Phillips.
Warhol's "Double Elvis (Ferus Type)" fetched $37 million at a Sotheby's auction in May 2012, underscoring the enduring appeal and value of his Elvis-themed works.
In the science fiction comedy film "Men in Black 3," released in 2012, Andy Warhol is revealed to be the true identity of undercover MIB Agent W, played by Bill Hader.
As a tribute to his lasting impact, a crater on the planet Mercury was named after Andy Warhol in 2012.
The British television show "Noel Fielding's Luxury Comedy," which premiered in 2012, features Andy Warhol (played by Tom Meeten) as one of the main characters. The character is depicted with robot-like mannerisms.
Warhol's 1963 diptych, "Silver Car Crash (Double Disaster),", achieved a groundbreaking sale price of $105.4 million at Sotheby's in November 2013, setting a new record for the artist.
Andy Warhol's 1963 serigraph, "Silver Car Crash (Double Disaster)", was sold for a record-breaking $105 million in 2013.
In 2013, The Andy Warhol Museum and EarthCam collaborated to launch "Figment," a live video feed of Andy Warhol's final resting place. The project commemorated the 85th anniversary of Warhol's birth.
In May 2014, Warhol's iconic "White Marilyn" (1962) was sold for $41 million at Christie's, reaffirming the enduring allure of his Marilyn Monroe-inspired works.
"Triple Elvis (Ferus Type)", a celebrated Warhol creation, sold for an astounding $81.9 million at a Christie's auction in November 2014, solidifying its place among his most prized works.
Warhol's "Four Marlons" (1964), featuring the legendary Marlon Brando, reached a remarkable $69.6 million at a Christie's auction in November 2014, underscoring the high demand for his celebrity portraits.
May 2015 saw the sale of two significant Warhol pieces at Christie's: "Silver Liz" (diptych, 1963) for $28 million and "Colored Mona Lisa" (1963) for $56.2 million, showcasing the breadth and value of his artistic output.
In September 2016, it was announced that actor Jared Leto would be playing the role of Andy Warhol in an upcoming biographical drama film titled "Warhol." The film, based on Victor Bockris's biography, is being produced by Michael De Luca and written by Terence Winter.
Warhol's 1962 painting "Big Campbell's Soup Can With Can Opener (Vegetable)" was acquired for $27.5 million at Christie's in May 2017, highlighting the enduring appeal of his pop art masterpieces.
Cary Elwes played the role of Andy Warhol in the 2017 film "The Billionaire Boys Club," which is based on the true story of Ron Levin, a friend of Warhol's who was murdered in 1986. The film centers on the investment group known as the "Billionaire Boys Club."
In October 2019, an audio tape containing previously unheard music by Lou Reed was unearthed in the archives of the Andy Warhol Museum in Pittsburgh. The music, inspired by Warhol's 1975 book, "The Philosophy of Andy Warhol: From A to B and Back Again," offered new insights into the artistic connection between Reed and Warhol.
The Andy Warhol Foundation, as part of its ongoing effort to document the artist's work, released Volumes IV and V of Andy Warhol's catalogue raisonné in 2019. These volumes focus on specific periods of Warhol's career, contributing to a comprehensive record of his paintings and sculptures.
Art critic Blake Gopnik released his biography of Andy Warhol, simply titled "Warhol", in 2020.
The Brooklyn Museum launched the "Andy Warhol: Revelation" exhibition on November 19, 2021, exploring themes central to Warhol's work, such as life, death, power, desire, and religious imagery.
"Silver Liz (Ferus Type)" made history in March 2022 by fetching 2.3 billion yen ($18.9 million) at Shinwa Auction, establishing a new record for the highest auction bid ever recorded in Japan.
In May 2022, "Shot Sage Blue Marilyn" (1964) reached an unprecedented price of $195 million at Christie's, securing its place as the most expensive American artwork ever sold at auction.
The "Andy Warhol: Revelation" exhibition at the Brooklyn Museum concluded on June 19, 2022. The exhibition offered an intimate perspective on Warhol's artistic process through a collection of his works.
Andy Warhol, portrayed by actor Jeff Grace, made a cameo appearance in the video game "Immortality" in 2022.
Comedian Conan O'Brien portrayed Andy Warhol in the biographical parody film "Weird: The Al Yankovic Story" in 2022.
In 2022, Andy Warhol's painting "Shot Sage Blue Marilyn" (1964) fetched a record-breaking $195 million at an auction, solidifying his legacy as a highly sought-after American artist.