The Eugene O'Neill Theatre, originally the Forrest Theatre and later the Coronet Theatre, is a Broadway theater located in Midtown Manhattan, New York City. Designed by Herbert J. Krapp for the Shubert brothers, it opened in 1925 as part of a complex honoring Edwin Forrest. Now named after the renowned American playwright Eugene O'Neill, the theater seats 1,108 people across two levels and is currently operated by ATG Entertainment. Its auditorium interior holds the distinction of being a New York City designated landmark.
A fire broke out at the Eugene O'Neill Theatre on Broadway, where 'The Book of Mormon' is playing. Firefighters responded to the scene to control the situation. The extent of the damage is currently unknown.
Around 1900, Times Square became the epicenter for large-scale theater productions.
In September 1920, the Shuberts announced plans for six new theaters.
From 1920 to 1921, the Shubert brothers erected the Ambassador, Ritz (now Walter Kerr), and 49th Street Theatres.
In November 1924, the Shuberts sold eight row houses at 224–238 West 49th Street for $2 million to Daniel Darrow.
In May 1925, construction on the Forrest Theatre began.
On November 24, 1925, the Forrest Theatre opened with the musical 'Mayflowers' as its first production.
By 1925, the Shubert brothers controlled a quarter of all plays and three-quarters of theatrical ticket sales in the U.S.
In 1925, the Eugene O'Neill Theatre, then known as the Forrest Theatre, was constructed for the Shubert brothers.
In 1926, the Forrest's other productions were largely unsuccessful, including The Matinee Girl, Mama Loves Papa, and Rainbow Rose.
In 1927, 'Women Go on Forever' opened at the theater and ran for 118 performances.
In 1928, the Forrest hosted multiple flops, including Mirrors, The Skull, The Common Sin, and The Squealer.
By 1929, the Broadway theatrical industry was suffering due to the Great Depression.
In 1929, Ruth St. Denis and Ted Shawn danced at the Forrest.
In March 1931, 'In the Best of Families' transferred to the Forrest and had 141 total performances.
Beginning in October 1931, none of the seven subsequent shows at the Forrest, within a thirteen-month period, had more than 36 performances.
In November 1932, a minor hit came with a transfer of 'The Good Fairy', featuring Helen Hayes and Walter Connolly.
In January 1933, the Lawyers Title and Guaranty Company moved to foreclose on a $960,000 mortgage loan on the Forrest Theatre and Hotel.
In August 1934, with the mortgage loan in foreclosure, the Forrest Theatre and Hotel were sold to Lawyers Title at an auction.
In September 1934, Sam Grisman and Harry H. Oshrin leased the Forrest Theatre and Tobacco Road transferred to the Forrest.
In 1934, the Shuberts lost the theater to foreclosure. Subsequently, the theater hosted 'Tobacco Road', which became the longest-running production in Broadway history.
In September 1936, the producers renewed their lease of the Forrest Theatre for another five years.
In 1939, 'Tobacco Road' became the longest-running Broadway production.
In May 1941, 'Tobacco Road' ended its run after approximately 3,180 performances, becoming Broadway's longest-running play at the time.
In 1942, 'Tobacco Road' returned, but the revival closed after just 34 performances. Claudia and Three Men on a Horse also ran in the theater in 1942.
In March 1944, the empty Forrest Theatre was leased to the Mutual Broadcasting System for six months.
In 1944, the theater briefly served as a broadcast studio.
In August 1945, the Shuberts' lease was set to expire.
In September 1945, Louis Lotito of City Playhouse Theatres bought and renovated the Forrest, renaming it the Coronet.
On October 27, 1945, 'Beggars Are Coming to Town' was the first production at the refurbished theater.
In 1945, the auditorium's original red and gold decor was changed to blue and gray.
In 1945, the facade was refaced in plain stucco, painted in bright colors to evoke New Orleans, as part of renovations by Walker & Gillette.
In 1945, the theater was sold to City Playhouse Theatres, who renovated it and renamed it the Coronet.
In January 1947, 'All My Sons' by Arthur Miller opened, running for 328 performances.
In 1948, 'Small Wonder' premiered at the Coronet.
In 1949, Mae West's play 'Diamond Lil' was revived, running for 181 performances.
In 1950, the Coronet hosted 'Tickets, Please!' and 'Hilda Crane'.
In 1951, a revival of Lillian Hellman's play 'The Autumn Garden' was staged at the Coronet.
In 1952, the Coronet hosted revivals of Lillian Hellman's 'The Children's Hour' and the play 'Jane'.
At the end of 1953, 'The Remarkable Mr. Pennypacker' was staged at the Coronet.
Playwright Eugene O'Neill, for whom the theater was named, passed away in 1953.
In 1955, the Coronet hosted 'The Bad Seed' and a double bill of Arthur Miller's 'A Memory of Two Mondays' and 'A View from the Bridge'.
In 1957, the Coronet hosted 'The Waltz of the Toreadors'.
In 1958, the Coronet hosted 'The Firstborn' and 'The Disenchanted'.
In May 1959, Lester Osterman signed a contract to buy the theater for $1.2 million, effective that September, with plans to rename it after Eugene O'Neill.
In October 1959, The Phoenix Theatre's version of Eugene O'Neill's play 'The Great God Brown' opened just before the renaming of the Coronet.
On November 27, 1959, the formal renaming ceremony of the Coronet was canceled because the preview of 'A Loss of Roses' was rescheduled.
In 1959, Lester Osterman bought the theater and renamed it after Eugene O'Neill.
In 1961, the Charles Gaynor revue Show Girl with Carol Channing opened at the Eugene O'Neill Theatre, achieving 100 performances and marking the first hit at the theatre after it was renamed.
In 1962, Herb Gardner's A Thousand Clowns was staged at the Eugene O'Neill Theatre.
In 1963, the musical She Loves Me by Jerry Bock, Sheldon Harnick, and Joe Masteroff was staged at the Eugene O'Neill Theatre.
In December 1964, Osterman sold the Eugene O'Neill Theatre to David J. Cogan for $1.35 million.
In 1966, The Odd Couple transferred to the Eugene O'Neill Theatre and became a hit.
In 1967, Neil Simon acquired the theater and staged several of his works there.
In 1967, Neil Simon bought Cogan's half-ownership stake in the Eugene O'Neill Theatre, acquiring full ownership.
In 1968, Rosencrantz and Guildenstern Are Dead transferred to the Eugene O'Neill Theatre and became a hit.
In 1969, Last of the Red Hot Lovers, written by Neil Simon, was staged at the Eugene O'Neill Theatre and became a hit.
In 1969, the West End musical Canterbury Tales was staged at the Eugene O'Neill Theatre.
In 1971, Neil Simon's play The Prisoner of Second Avenue was staged at the Eugene O'Neill Theatre and became a hit.
In 1973, Neil Simon's play The Good Doctor was staged at the Eugene O'Neill Theatre and became a hit.
In 1974, Neil Simon's play God's Favorite was staged at the Eugene O'Neill Theatre and became a hit.
In 1975, Leah Napolin and Isaac Bashevis Singer's Yentl opened at the Eugene O'Neill Theatre.
In 1976, Neil Simon's California Suite was staged at the Eugene O'Neill Theatre and became a hit.
In 1979, a transfer of Neil Simon's Chapter Two was staged at the Eugene O'Neill Theatre and became a hit.
In 1980, Neil Simon's play I Ought to Be in Pictures was staged at the Eugene O'Neill Theatre and became a hit. Additionally, Marsha Mason oversaw a restoration of the theater that year, redecorating the interior in beige and red velvet and the exterior in limestone.
In 1980, the facade was renovated again, this time in beige limestone.
In 1981, Neil Simon's Fools was staged at the Eugene O'Neill Theatre and considered a flop. In addition, a transfer of the musical Annie was performed at the theater.
In March 1982, Jujamcyn acquired the Eugene O'Neill Theatre from Neil Simon.
In 1982, Jujamcyn began operating the theater.
In 1982, Neil Simon's Little Me was staged at the Eugene O'Neill Theatre and considered a flop.
In 1982, the New York City Landmarks Preservation Commission (LPC) started to consider protecting the Eugene O'Neill Theatre as a landmark.
On February 22, 1983, Moose Murders premiered at the Eugene O'Neill Theatre but closed on the same day, becoming notorious.
In 1985, Big River opened at the Eugene O'Neill Theatre, running for 1,005 performances over the next two years and becoming a major hit.
On December 8, 1987, the LPC designated the Eugene O'Neill Theatre's interior as a landmark.
In 1987, Tom Waits had a limited concert engagement at the Eugene O'Neill Theatre.
In March 1988, the New York City Board of Estimate ratified the landmark designations, including that of the Eugene O'Neill Theatre's interior.
In June 1988, Jujamcyn, the Nederlanders, and the Shuberts collectively sued the LPC to overturn the landmark designations of 22 theaters, including the Eugene O'Neill.
In 1988, David Henry Hwang's M. Butterfly opened at the Eugene O'Neill Theatre.
In 1991, the short-lived play La Bête and a magic show by Penn & Teller were staged at the Eugene O'Neill.
In 1992, Five Guys Named Moe opened at the Eugene O'Neill and stayed for a year.
In 1992, the landmark designations of theaters, including the Eugene O'Neill, were ultimately upheld by the New York Supreme Court and the Supreme Court of the United States.
In 1994, Grease! opened at the Eugene O'Neill and ran for 1,503 performances. The LPC also granted an award for the theater's restoration designed by Campagna & Russo Architects, which cost $1 million.
In 1994, Jujamcyn restored the theater.
In 1994, a purple and gold paint scheme was added during a renovation of the auditorium.
In 1998, the Eugene O'Neill saw two flops: Peter Whelan's The Herbal Bed and Rob Bartlett's More to Love.
In 1999, Death of a Salesman opened at the Eugene O'Neill.
In 2000, Waiting in the Wings transferred to the Eugene O'Neill, followed by The Full Monty, which ran for over two years.
In 2003, a revival of the musical Nine was performed at the Eugene O'Neill.
In February 2004, the off-Broadway play Caroline, or Change relocated to the Eugene O'Neill.
In 2005, the Eugene O'Neill hosted Good Vibrations and Sweeney Todd. Rocco Landesman also bought the Eugene O'Neill and Jujamcyn's four other theaters. Jordan Roth joined Jujamcyn as a resident producer the same year.
In 2006, Spring Awakening opened at the Eugene O'Neill and ran for two years.
In 2009, Jordan Roth acquired a 50 percent stake in Jujamcyn and assumed full operation of the firm. Additionally, the Eugene O'Neill hosted 33 Variations and Fela!.
During the 2010–2011 season, the Eugene O'Neill Theater saw the premier of original productions.
In March 2011, The Book of Mormon opened at the Eugene O'Neill Theatre.
On September 17, 2011, the Eugene O'Neill held a one-night reading of Dustin Lance Black's play 8.
Since 2011, the Eugene O'Neill Theatre has hosted the musical 'The Book of Mormon'.
For the week ending January 4, 2015, The Book of Mormon grossed $2,224,280 over nine performances, achieving a box office record for the Eugene O'Neill Theatre.
On March 12, 2020, the Eugene O'Neill Theatre closed due to the COVID-19 pandemic.
On November 5, 2021, the Eugene O'Neill Theatre reopened with performances of The Book of Mormon.
In July 2023, Jordan Roth sold a 93 percent stake in Jujamcyn's five theaters, including the Eugene O'Neill Theatre, to ATG and Providence Equity.
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