Career Timeline of Tom Waits: Major Achievements and Milestones

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Tom Waits

How Tom Waits built a successful career. Explore key moments that defined the journey.

Tom Waits is an American singer, songwriter, composer, and actor known for his distinctive deep, gravelly voice and his lyrical focus on marginalized individuals. Emerging from the 1970s folk scene, his music evolved to incorporate diverse genres like rock, jazz, blues, opera, vaudeville, cabaret, funk, and experimental sounds. He's lauded as a chronicler of the downtrodden, creating complex characters capable of surprising insights. His voice, often described as bourbon-soaked and gravelly, is a signature element of his artistic style.

1969: Hired at the Heritage Coffeehouse

In 1969, Tom Waits was hired as a doorman at the Heritage coffeehouse. He started performing there, initially singing covers before introducing his original songs.

1971: Recordings released 20 years later

In 1971, Tom Waits recorded several pre-Asylum Records recordings. These recording were later released in 1991 as "Tom Waits: The Early Years, Vol. 1", which angered Waits.

1971: Attention of Herb Cohen

In the autumn of 1971, Tom Waits caught the attention of Herb Cohen at the Troubadour in West Hollywood, leading to publishing and recording contracts.

1972: Move to Los Angeles

In 1972, Tom Waits moved to Los Angeles and worked as a songwriter before securing a recording contract with Asylum Records.

March 1973: Release of Closing Time

In March 1973, Tom Waits released his debut album, "Closing Time", on Asylum Records. Despite attracting little initial attention, it marked the beginning of his professional recording career.

1973: Debut Album Release

In 1973, Tom Waits released his debut album, "Closing Time", on Asylum Records. The album marked the beginning of his professional music career.

October 1974: Headline Act Performance and Meeting Bette Midler

In October 1974, Tom Waits first performed as the headline act and toured the East Coast. He met and befriended Bette Midler in New York City, starting a sporadic affair with her.

1974: Release of "The Heart of Saturday Night"

In 1974, Tom Waits released "The Heart of Saturday Night". This album followed his debut and continued to showcase his developing style.

1974: Performances Around the West Coast and Second Album Production

In early 1974, Tom Waits performed around the West Coast, getting as far as Denver. He also started working on his second album, with Bones Howe chosen as the producer due to his jazz background and connection to Jack Kerouac.

October 1975: Release of "Nighthawks at the Diner"

In October 1975, Tom Waits released "Nighthawks at the Diner", a live album recorded at the Record Plant Studio. The cover and title were inspired by Edward Hopper's "Nighthawks" painting.

1975: Release of "Nighthawks at the Diner"

In 1975, Tom Waits released "Nighthawks at the Diner". This album continued his exploration of jazz-influenced storytelling.

May 1976: European Tour

In May 1976, Tom Waits embarked on his first tour of Europe, performing in cities such as London, Amsterdam, Brussels, and Copenhagen. The tour was preceded by a US tour where he told interviewers he was drinking too much alcohol.

July 1976: Recording of Small Change

In July 1976, Tom Waits recorded "Small Change". He considered it a seminal episode in his development as a songwriter when he became completely confident in his craft.

1976: Release of Small Change

In 1976, Tom Waits achieved greater critical and commercial success with the release of his album Small Change. The album broadened his audience and solidified his reputation.

August 1977: Recording Foreign Affairs

In August 1977, Tom Waits recorded his fourth studio album, Foreign Affairs, with Bob Alcivar as the arranger. The album was not as well-received as its predecessor, Small Change, and failed to make the Billboard Top 100 album chart.

October 1977: Touring with the Nocturnal Emissions

In October 1977, Tom Waits returned to touring with the Nocturnal Emissions. This tour marked the first time he used props onstage, specifically a street lamp, which he found exhausting.

1977: Touring Japan

Tom Waits began 1977 by touring Japan for the first time. He was promoting the new album, backed by the Nocturnal Emissions.

March 1978: Second Tour of Japan

In March 1978, Tom Waits embarked on his second tour of Japan, furthering his international exposure.

July 1978: Recording Blue Valentine

In July 1978, Tom Waits began recording sessions for Blue Valentine. During the sessions, he replaced his musicians to create a less jazz-oriented sound and switched from piano to electric guitar as his main instrument. He also used a picture of himself and Rickie Lee Jones leaning against his 1964 Ford Thunderbird for the album's back cover.

1978: Entering the World of Film and Meeting Kathleen Brennan

In 1978, Tom Waits entered the world of film and met Kathleen Brennan, who would later become his wife and frequent collaborator. Also in 1978 he released the album Blue Valentine.

1978: Film Debut in Paradise Alley

In 1978, Tom Waits made his film debut as a drunken piano player in Sylvester Stallone's Paradise Alley. He also began writing a movie musical with Paul Hampton, though the project never materialized. Additionally, he started working on a book about entertainers he admired.

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1979: Tom Waits For No One Music Video

In 1979, a rotoscoped Tom Waits performed "The One That Got Away" in the music video Tom Waits For No One.

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October 1980: Soundtrack Recording Begins

In October 1980, recording began for Tom Waits's soundtrack to the film One from the Heart. The tracks were recorded as duets with Crystal Gayle after Bette Midler proved unavailable.

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1980: Release of Heartattack and Vine

In 1980, Tom Waits experienced further critical and commercial success with the release of "Heartattack and Vine", continuing his music career.

September 1981: Soundtrack Recording Ends

In September 1981, Tom Waits concluded the recording of the soundtrack for Francis Ford Coppola's film One from the Heart. Several tracks were recorded as duets with Crystal Gayle.

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1982: Collaboration on 'One From the Heart'

In 1982, Tom Waits collaborated with Crystal Gayle on the soundtrack for Francis Ford Coppola’s movie "One From the Heart". Additionally, he made cameo appearances in several of Coppola's films.

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1982: Release of One from the Heart

In 1982, the film One from the Heart, featuring a soundtrack by Tom Waits, was released to largely poor reviews. Waits also made a cameo as a trumpet player in a crowd scene. The soundtrack album was released by Columbia Records.

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1983: Film Appearances and Birth of Daughter

In 1983, Tom Waits appeared in three Francis Ford Coppola films: Rumble Fish, The Outsiders, and The Cotton Club. In September 1983, his daughter, Kellesimone, was born. Waits and his family moved to New York City to be closer to Brennan's parents and Island's U.S. office.

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1983: Release of Swordfishtrombones

In 1983, Tom Waits released "Swordfishtrombones", the first album in a trilogy that showcased a more eclectic and experimental sound influenced by Harry Partch and Captain Beefheart.

1985: Release of Rain Dogs

In 1985, Tom Waits continued to explore his experimental sound with the release of "Rain Dogs", the second album in his trilogy.

1985: Recording Rain Dogs and Songwriter of the Year

In 1985, Tom Waits recorded Rain Dogs at RCA Studios, featuring Keith Richards and marking Marc Ribot's debut as a session guitarist. Rolling Stone named Waits its "Songwriter of the Year." Jean-Baptiste Mondino directed a music video of "Downtown Train" featuring boxer Jake LaMotta.

1985: Franks Wild Years Musical Agreement

In late 1985, Tom Waits reached an agreement for his musical, Franks Wild Years, based on the song from Swordfishtrombones, to be performed by the Steppenwolf Theatre Company in Chicago's Briar Street Theatre, with Waits starring as Frank.

1986: Role in Candy Mountain

In 1986, Tom Waits took a small part in Candy Mountain, playing Al Silk, a millionaire golf enthusiast, adding to his acting portfolio.

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1987: Appearance on Elvis Costello's Tour

In 1987, Tom Waits appeared as a master of ceremonies on several dates of Elvis Costello's "Wheel of Fortune" tour, showcasing his versatility and respect within the music community.

1987: Release of Franks Wild Years

In 1987, Tom Waits concluded his experimental trilogy with the release of "Franks Wild Years", further solidifying his unique musical direction.

1987: Franks Wild Years Album Release

In 1987, Tom Waits's ninth studio album, Franks Wild Years, was released by Island Records. The songs were recorded from the show, and it was Waits's first collaboration with David Hidalgo.

1987: Return to Los Angeles

In Fall 1987, Tom Waits and his family left New York and returned to Los Angeles, settling on Union Avenue. He also appeared as a hitman in Robert Dornhelm's Cold Feet and lent his voice to Jarmusch's Mystery Train.

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1988: Big Time Concert Film

In 1988, two of Tom Waits's performances were the basis for Chris Blum's concert film, Big Time, showcasing his live performances.

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May 1989: Collaboration on The Black Rider

In May 1989, Tom Waits traveled to Hamburg, Germany, to work on "The Black Rider" project with Robert Wilson, a "cowboy opera" based on the German folk tale Freischütz, Waits was later joined there by William S. Burroughs, who was contributing lyrics at the suggestion of Allen Ginsberg.

June 1989: Films and Family Time

In June 1989, Tom Waits traveled to London to play a Punch and Judy puppeteer in Ann Guedes's film Bearskin: An Urban Fairytale. He then went to Ireland, spending time with his wife Brennan and her family.

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December 1989: Los Angeles Theatre Center Production

In December 1989, Tom Waits began a stint as Curly, a mobster's son, in Thomas Babe's play Demon Wine at the Los Angeles Theatre Center.

March 1990: The Black Rider Debut

In March 1990, The Black Rider, a collaboration between Tom Waits, Robert Wilson, and William S. Burroughs, debuted at Hamburg's Thalia Theater, marking a significant moment in Waits's career involving theater and music. Carl Maria von Weber's opera Der Freischütz (1821) inspired the opera.

1990: Collaboration on 'The Black Rider'

In 1990, Tom Waits collaborated with theater director Robert Wilson on the musical The Black Rider, which resulted in an album of the same name.

1990: Charitable Contribution

In 1990, Tom Waits contributed a song to the HIV/AIDS benefit album Red Hot + Blue, demonstrating his involvement in charitable causes during the early 1990s.

1990: Film Appearance

In 1990, Tom Waits made a brief appearance as a plainclothes cop in the film The Two Jakes.

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1991: Move to Sonoma and Release of Early Recordings

In 1991, Tom Waits and his family moved to the outskirts of Sonoma, and later to Valley Ford. Also in 1991, 13 of his 1971 pre-Asylum Records recordings were released as Tom Waits: The Early Years, Vol. 1, which angered Waits.

1991: Film Appearances

In 1991, Tom Waits played a disabled war veteran in Terry Gilliam's The Fisher King. He also had a cameo in Steve Rash's Queens Logic and played a pilot-for-hire in Héctor Babenco's At Play in the Fields of the Lord. He also appeared as himself fishing with John Lurie on Fishing with John.

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April 1992: Soundtrack Album Release

In April 1992, Tom Waits released the soundtrack album to Jim Jarmusch's Night on Earth. The album, largely instrumental, was recorded at Prairie Sun studio in Cotati.

August 1992: Release of Bone Machine

In August 1992, Tom Waits released his tenth studio album, Bone Machine. The album, recorded in an old storage room at Prairie Sun, explored "more machinery sounds" and featured eight tracks co-written with Kathleen Brennan. The cover was co-designed by Waits and Jesse Dylan. The album went on to win a Grammy Award.

December 1992: Premiere of Alice

In December 1992, Alice, an operatic treatment of Lewis Carroll's relationship with Alice Liddell, premiered at the Thalia Theater. Tom Waits characterized the songs he wrote for the play as "adult songs for children, or children's songs for adults".

1992: Collaboration on 'Alice' and Grammy Win for 'Bone Machine'

In 1992, Tom Waits collaborated with Robert Wilson on the musical "Alice". Also in 1992, Waits won a Grammy for Best Alternative Music Album for "Bone Machine."

1992: Film Appearance

In 1992, Tom Waits played Renfield in Coppola's Bram Stoker's Dracula.

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1993: Film Appearance in Short Cuts

In 1993, Tom Waits starred as Earl Piggot, an alcoholic limousine driver, in Robert Altman's Short Cuts, a performance described as possibly his best as an actor.

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1993: Release of Early Recordings Vol. 2

In 1993, a second volume of Tom Waits's 1971 recordings, titled Tom Waits: The Early Years, Vol. 2, was released, further adding to Waits's discontent with the release of his early demos.

1993: Release of The Black Rider Album

In the fall of 1993, Tom Waits released an album of the songs written for The Black Rider, recorded at Los Angeles's Sunset Sound Factory.

1995: Soundtrack contribution for Dead Man Walking

In 1995, Tom Waits wrote "Walk Away" and "The Fall of Troy" for the soundtrack of Dead Man Walking.

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February 1996: Benefit Performance

In February 1996, Tom Waits held a benefit performance to raise funds for the legal defense of his friend Don Hyde, who had been charged with distributing LSD.

1997: Soundtrack contribution for The End of Violence

In 1997, Tom Waits wrote "Little Drop of Poison" for the soundtrack of The End of Violence.

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June 1998: Recording of Mule Variations

Starting in June 1998, Tom Waits began recording tracks for Mule Variations at Prairie Sun, which explored themes of rural life in the United States and were influenced by early blues recordings made by Alan Lomax.

1998: Release of Beautiful Maladies

In 1998, Island released Beautiful Maladies, a compilation of 23 Tom Waits tracks selected by Waits himself from his albums with the company.

March 1999: Live Show and VH1 Storytellers Appearance

In March 1999, Tom Waits gave his first live show in three years at the Paramount Theater in Austin, Texas, as part of the South by Southwest festival. He also appeared in an episode of VH1 Storytellers.

March 1999: Release of Mule Variations

In March 1999, Tom Waits released Mule Variations on Anti-. The tracks on the album dealt with themes involving rural life in the United States. The album reached number 30 on the U.S. Billboard 200 and won a Grammy Award.

1999: Grammy Win for Mule Variations

In 1999, Tom Waits won a Grammy for Best Contemporary Folk Album for "Mule Variations", adding to his accolades.

November 2000: Woyzeck Adaptation

In November 2000, Tom Waits's songs for Robert Wilson's adaptation of Georg Büchner's Woyzeck were scheduled to debut at the Betty Nansen Theater in Copenhagen. Waits traveled to Copenhagen in October for rehearsals.

2000: Collaboration on Woyzeck

In 2000, Tom Waits reunited with Robert Wilson for the musical "Woyzeck", further exploring his theatrical collaborations.

May 2002: Release of Alice and Blood Money

In May 2002, Tom Waits simultaneously released the albums Alice and Blood Money. Alice entered the U.S. album chart at number 32, and Blood Money at number 33.

2002: Release of Alice and Blood Money

In 2002, Tom Waits released the albums "Alice" and "Blood Money", featuring songs from his collaborations with Robert Wilson on the musicals Alice and Woyzeck.

September 2003: Healing the Divide Fundraiser and Film Appearance

In September 2003, Tom Waits performed at the Healing the Divide fundraiser in New York City. He also appeared in Jim Jarmusch's Coffee and Cigarettes, having a conversation with Iggy Pop.

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October 2004: Real Gone Tour Launch

In October 2004, Tom Waits launched a tour in Vancouver before heading to Europe. The European shows were sell-outs. His only London gig saw 78,000 applications for around 3,700 available tickets.

2004: Release of Real Gone

In 2004, Tom Waits released the album "Real Gone", continuing to produce new material and evolve his sound.

2005: Film Appearances

In 2005, Tom Waits played a gun-toting Seventh-day Adventist in Tony Scott's Domino and traveled to Italy to appear in Benigni's The Tiger and the Snow.

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2006: Release of Orphans: Brawlers, Bawlers & Bastards

In 2006, Tom Waits released the compilation album "Orphans: Brawlers, Bawlers & Bastards", showcasing a collection of his varied works.

2006: Orphans Tour and Album Release

In the summer of 2006, Tom Waits embarked on his "Orphans" tour of southern and midwest states, accompanied by his son Casey. Also in 2006, he issued Orphans: Brawlers, Bawlers & Bastards, a three-disc box set of rarities, unreleased tracks, and new compositions.

2007: Film Appearance in Wristcutters: A Love Story

In 2007, Tom Waits was in Wristcutters: A Love Story, performing as an angel posing as a tramp.

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2008: Last Tour

Tom Waits has not toured since 2008. Since then, he has made isolated appearances guesting at concerts and special events.

2009: Release of Glitter and Doom Live

In 2009, Tom Waits released the live album "Glitter and Doom Live", capturing his performance energy and unique stage presence.

2011: Release of Bad as Me

In 2011, Tom Waits released the album "Bad as Me", marking his most recent studio album release to date.

2014: The Tempest production features Waits and Brennan's songs

In 2014, Aaron Posner and Teller directed a production of Shakespeare's The Tempest that featured songs by Tom Waits and Kathleen Brennan.

2025: "Come On Up To The House" featured in Wake Up Dead Man

In 2025, the Tom Waits song "Come On Up To The House" is featured in the end credits of the film Wake Up Dead Man.

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